Sewreffic for The Bureau Fashion Week. This page collects what Nightlife Report has on file for Sewreffic at The Bureau Fashion Week in Los Angeles: the show slot, the looks we photographed from the media pit on Fri Oct 16, 2026, and the credits we could confirm. Where we couldn’t confirm something, we say so.
Look 01, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000685. Sewreffic for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Sewreffic’s show slot
Sewreffic showed in The Opening, the 6:00 PM show on Friday, Oct 16, 2026, at The Lot Studios in West Hollywood, in front of a gold flame visual on the LED wall. Sewreffic is on the Bureau’s published Opening bill. Our frames for the segment run from P1000685 to P1000713.
One caveat: the backdrop for this segment carried no text, so these frames are credited to Sewreffic by schedule order and our earlier notes. We rate that credit medium confidence.
About Sewreffic
Print was the headline: lime green, orange-and-black and pink-and-violet prints, bell and balloon sleeves, and wide black belts at the waist.
Look 10 (frame P1000709): black crop top with a yellow and black circle-print maxi skirt.
Look 11 (frame P1000711): black crop top and full yellow and black circle-print maxi skirt.
Look 12 (frame P1000713): yellow and black circle-print maxi skirt and black top, from behind.
Look 02, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000688. Sewreffic for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Models and credits
Emily Sophie Christine (@emilysophiechristine) walked for Sewreffic in the Opening. Our published captions tie her to Look 11 (frame P1000711), the black crop top and yellow and black circle-print maxi skirt. Looks 10 and 12 show the same garment and are matched by garment only. The other Sewreffic looks are not tied to a named model in our notes.
Hair and makeup: the Bureau says its runway packages include hair and makeup teams, but no artist for this segment is named in any source we have, so that credit is unconfirmed. Producer: The Bureau Fashion Week. Venue: The Lot Studios, 1041 N Formosa Ave, West Hollywood. Photography: Anthony Perlas / Nightlife Report.
Sewreffic for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Disclosure: Nightlife Report attended on a Bureau media credential. This is independent editorial coverage, not affiliated with or endorsed by The Bureau Fashion Week. Editorial use only; images are web-size and watermarked. Corrections: editor@nightlifereport.app.
Deborah Beaumont Designs for The Bureau Fashion Week. This page collects what Nightlife Report has on file for Deborah Beaumont Designs at The Bureau Fashion Week in Los Angeles: the show slot, the looks we photographed from the media pit on Fri Oct 16, 2026, and the credits we could confirm. Where we couldn’t confirm something, we say so.
Look 01, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000573. Deborah Beaumont Designs for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Deborah Beaumont Designs’s show slot
Deborah Beaumont Designs walked in The Opening, the 6:00 PM show on Friday, Oct 16, 2026, at The Lot Studios in West Hollywood. The house is on the Bureau’s published Opening bill, and the backdrop showed the DB monogram and the name. Our frames for the segment run from P1000570 to P1000626.
About Deborah Beaumont Designs
Deborah Beaumont is the designer and owner behind the label, which is based in Pocatello, Idaho. The brand’s own site says the business started in 2004 “with Holiday and whimsical vests” before the designs “quickly grew into dresses.” (deborahbeaumont.com)
Nightlife Report named Deborah Beaumont Designs its Best Overall Modeling Team for the Opening. That is our editorial pick, not a Bureau award. The full case is in our team-title story.
The looks: Deborah Beaumont Designs on the runway
Looks are numbered in order of appearance in our coverage, not by the designer’s official running order. Descriptions are of the garments only.
Look 01 (frame P1000573): orange and pink graphic tank top with a white mini skirt.
Look 02 (frame P1000580): pink crop top with a pink and white print maxi skirt.
Look 03 (frame P1000584): pink print maxi skirt from behind, below the DB backdrop.
Look 04 (frame P1000591): black crop top with a pink and white collage-print maxi skirt.
Look 05 (frame P1000596): pink and white collage-print maxi skirt, from behind.
Look 06 (frame P1000598): black crop top, black shorts and black knee-high boots.
Look 07 (frame P1000603): white halter crop top with white wide-leg trousers.
Look 08 (frame P1000608): white halter crop top and wide trousers, seen from behind.
Look 09 (frame P1000609): white caped jumpsuit below the Deborah Beaumont Designs backdrop.
Look 10 (frame P1000613): white jumpsuit with long cape sleeves.
Look 11 (frame P1000619): hot pink gown with orange shapes and a sheer layered hem.
Look 12 (frame P1000625): hot pink gown with orange shapes, side view.
Look 02, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000580. Deborah Beaumont Designs for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Models and credits
No model in the Deborah Beaumont Designs segment is tied to a name in our notes, and we don’t identify anyone from photos. Model credits for this segment stay unconfirmed until the house or the Bureau confirms them.
Hair and makeup: the Bureau says its runway packages include hair and makeup teams, but no artist for this segment is named in any source we have, so that credit is unconfirmed. Producer: The Bureau Fashion Week. Venue: The Lot Studios, 1041 N Formosa Ave, West Hollywood. Photography: Anthony Perlas / Nightlife Report.
Deborah Beaumont Designs for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Disclosure: Nightlife Report attended on a Bureau media credential. This is independent editorial coverage, not affiliated with or endorsed by The Bureau Fashion Week. Editorial use only; images are web-size and watermarked. Corrections: editor@nightlifereport.app.
Krown Kink for The Bureau Fashion Week. This page collects what Nightlife Report has on file for Krown Kink at The Bureau Fashion Week in Los Angeles: the show slot, the looks we photographed from the media pit on Fri Oct 16, 2026, and the credits we could confirm. Where we couldn’t confirm something, we say so.
Look 01, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000629. Krown Kink for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Krown Kink’s show slot
Krown Kink showed in The Opening, the 6:00 PM show on Friday, Oct 16, 2026, at The Lot Studios in West Hollywood. The house is on the Bureau’s published Opening bill, and the backdrop carried the crown and KK logo. Our frames for the segment run from P1000629 to P1000650.
About Krown Kink
Krown Kink is the label of designer Casey Lee Parker (@caseyleeparker1). The label’s Instagram bio, at @krownkink, calls it a “Luxury Fashion House designed by Casey Lee Parker.”
Casey Lee Parker spoke to Nightlife Report on camera on Friday night, in a 44-second interview recorded on the venue floor. The clip, and what we could confirm from it, is in EXCLUSIVE: Inside Krown Kink with Casey Lee Parker.
The looks: Krown Kink on the runway
Looks are numbered in order of appearance in our coverage, not by the designer’s official running order. Descriptions are of the garments only.
Look 01 (frame P1000629): black lace crop top with red satin wide-leg trousers.
Look 02 (frame P1000630): black lace crop top and red satin trousers, seen from behind.
Look 03 (frame P1000633): red trousers look below the crown and KK logo backdrop.
Look 04 (frame P1000636): sheer black mesh briefs with dark trim.
Look 05 (frame P1000637): sheer black mesh briefs, mid-pose.
Look 06 (frame P1000639): open red satin robe over black briefs.
Look 07 (frame P1000640): red satin robe with a long trailing black tie, side view.
Look 08 (frame P1000642): black briefs with a red waistband over sheer black tights.
Look 09 (frame P1000643): sheer black tights and briefs, side view.
Look 10 (frame P1000646): sheer black mesh bodysuit with red trim below the crown backdrop.
Look 11 (frame P1000647): sheer black mesh bodysuit with red trim, walking toward the camera.
Look 12 (frame P1000650): sheer black mesh bodysuit with a red zip and trim, black boots.
Look 02, The Opening, Fri Oct 16, 2026, The Lot Studios, West Hollywood. Frame P1000630. Krown Kink for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Models and credits
Ava Kortman (@avakortman) walked for Krown Kink in the Opening. Our published caption ties her to Look 01 (frame P1000629). Look 02 (P1000630) shows the same garment from behind; that frame is matched by garment only, so it isn’t captioned with her name. The other Krown Kink looks are not tied to a named model in our notes.
Hair and makeup: the Bureau says its runway packages include hair and makeup teams, but no artist for this segment is named in any source we have, so that credit is unconfirmed. Producer: The Bureau Fashion Week. Venue: The Lot Studios, 1041 N Formosa Ave, West Hollywood. Photography: Anthony Perlas / Nightlife Report.
Krown Kink for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Disclosure: Nightlife Report attended on a Bureau media credential. This is independent editorial coverage, not affiliated with or endorsed by The Bureau Fashion Week. Editorial use only; images are web-size and watermarked. Corrections: editor@nightlifereport.app.
Justin Zachary for The Bureau Fashion Week. This page collects what Nightlife Report has on file for Justin Zachary at The Bureau Fashion Week in Los Angeles: the show slot, the looks we photographed from the media pit on Sat Oct 17, 2026, and the credits we could confirm. Where we couldn’t confirm something, we say so.
Look 01, The Finale, Sat Oct 17, 2026, The Lot Studios, West Hollywood. Frame P1000872. Justin Zachary for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Justin Zachary’s show slot
Justin Zachary showed in The Finale, the 8:30 PM show on Saturday, Oct 17, 2026, at The Lot Studios in West Hollywood. The designer is on the Bureau’s published Finale bill, and the backdrop carried the JZ mark. Our frames run from P1000872 to P1000980, at about 9:27 to 9:36 PM by our camera’s clock (offset unconfirmed).
About Justin Zachary
The Bureau’s Los Angeles press release names Justin Zachary in its West Coast lineup, alongside Pia Bolte, Kazuma Sugawara and House of Musa.
On the runway, this was the evening-wear segment of the Finale: sequins, satin, tulle and big draped volume, with ostrich-feather details in motion. Our roster lists the Instagram handle @justinzacharycouture, but that link is unconfirmed.
The looks: Justin Zachary on the runway
Looks are numbered in order of appearance in our coverage, not by the designer’s official running order. Descriptions are of the garments only.
Look 01 (frame P1000872): emerald green sequined mermaid gown.
Look 02 (frame P1000879): violet draped look with a sheer purple scarf in motion.
Look 03 (frame P1000901): red gown with a voluminous draped hood and full skirt.
Look 04 (frame P1000911): marigold off-shoulder draped gown with a trailing hem.
Look 05 (frame P1000915): marigold draped gown seen from behind, train trailing.
Look 06 (frame P1000922): orange gown with puff sleeves, embroidered bodice and flared hem.
Look 07 (frame P1000929): gold satin gown with a ruched bodice and draped skirt.
Look 08 (frame P1000936): wide view down the runway to a black look, photographers in the foreground.
Look 09 (frame P1000944): black and gold gown seen from behind on the runway.
Look 10 (frame P1000951): black satin gown with ruffled shoulders and a pooling train.
Look 11 (frame P1000973): blush tulle gown with pink floral appliques and puffed sleeves.
Look 12 (frame P1000980): peach tulle gown with sculpted ruffled shoulders and a sweeping train.
Look 12, The Finale, Sat Oct 17, 2026, The Lot Studios, West Hollywood. Frame P1000980. Justin Zachary for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Models and credits
No model in the Justin Zachary segment is tied to a name in our notes, and we don’t identify anyone from photos. Model credits for this segment stay unconfirmed until the house or the Bureau confirms them.
Hair and makeup: the Bureau says its runway packages include hair and makeup teams, but no artist for this segment is named in any source we have, so that credit is unconfirmed. Producer: The Bureau Fashion Week. Venue: The Lot Studios, 1041 N Formosa Ave, West Hollywood. Photography: Anthony Perlas / Nightlife Report.
Justin Zachary for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Disclosure: Nightlife Report attended on a Bureau media credential. This is independent editorial coverage, not affiliated with or endorsed by The Bureau Fashion Week. Editorial use only; images are web-size and watermarked. Corrections: editor@nightlifereport.app.
Krissy King for The Bureau Fashion Week. This page collects what Nightlife Report has on file for Krissy King Swim at The Bureau Fashion Week in Los Angeles: the show slot, the looks we photographed from the media pit on Sat Oct 17, 2026, and the credits we could confirm. Where we couldn’t confirm something, we say so.
Look 01, The Finale, Sat Oct 17, 2026, The Lot Studios, West Hollywood. Frame P1001038. Krissy King for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Krissy King Swim’s show slot
Krissy King Swim closed The Finale, the 8:30 PM show on Saturday, Oct 17, 2026, at The Lot Studios in West Hollywood. Krissy King is on the Bureau’s published Finale bill, and the backdrop read “KRISSY KING”, with mermaid and seahorse art; one screen also read “KRISSY KING IN THE SKY / A MAGICAL PERFORMANCE!” (frame P1001078). Our frames run from P1001037 to P1001133, at about 9:45 to 9:54 PM by our camera’s clock (offset unconfirmed).
About Krissy King Swim
Krissy King is a co-founder of The Bureau Fashion Week, and the Bureau’s leadership sheet says she leads designer relations, model casting, staffing and guest experience. Disclosure: that makes her both a designer on this bill and a producer of the event.
Look 12 (frame P1001133): closing line-up with red and white wings, purple wings and red trunks.
Look 08, The Finale, Sat Oct 17, 2026, The Lot Studios, West Hollywood. Frame P1001100. Krissy King for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Models and credits
Kyla Dodds (@kyla.doddsss) wore the red-and-white feather wings of Look 01 (frame P1001037; also P1001038 and P1001039). Look 02 shows the same look from behind and is matched by garment only.
Maia Wall (@maiawall03) walked the segment in pink-and-white feather wings, per our published feature Inside Krissy King with Maia Wall; that story’s lead image is frame P1001056 (Look 03 here).
Per our editor, Ava Kortman (@avakortman) wore the black-and-gold wings and gold two-piece of Looks 07 and 08 (frames P1001097 and P1001100). Per our editor, Emily Sophie Christine also walked this show; her look is unconfirmed. The other looks are not tied to a named model in our notes.
Hair and makeup: the Bureau says its runway packages include hair and makeup teams, but no artist for this segment is named in any source we have, so that credit is unconfirmed. Producer: The Bureau Fashion Week. Venue: The Lot Studios, 1041 N Formosa Ave, West Hollywood. Photography: Anthony Perlas / Nightlife Report.
Krissy King for The Bureau Fashion Week 路 @thebureaufashionweek 路 馃摲 Anthony Perlas / Nightlife Report
Disclosure: Nightlife Report attended on a Bureau media credential. This is independent editorial coverage, not affiliated with or endorsed by The Bureau Fashion Week. Editorial use only; images are web-size and watermarked. Corrections: editor@nightlifereport.app.Disclosure: Krissy King is also a co-founder and producer of The Bureau Fashion Week.
NIGHTLIFE REPORT EXCLUSIVE · By Anthony Perlas, Correspondent, Nightlife Report · Sun Oct 18, 2026
Maia Wall (@maiawall03). Krissy King for The Bureau Fashion Week (@thebureaufashionweek). Photo: Anthony Perlas / Nightlife Report.
WEST HOLLYWOOD: Maia Wall (@maiawall03) walked for Krissy King (@krissykingthelabel) in The Bureau Fashion Week’s Los Angeles Finale on Saturday, Oct 17, 2026, at The Lot Studios, 1041 N Formosa Ave. I shot the segment from the media pit.
Her look: a light-blue sequined two-piece and oversized pink-and-white feather wings, walked under a screen of mermaids and seahorses with “KRISSY KING” across it.
The Krissy King segment
Krissy King showed in the 8:30 PM Finale. The wings came in one colour after another: red and white, all-white, pale pink, pink and gold, and oversized sheer purple. Partway through, the screen art switched from the mermaids to “KRISSY KING IN THE SKY,” with flamingos and hot-air balloons.
Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.Krissy King for The Bureau Fashion Week. Photo: Anthony Perlas / Nightlife Report.
We haven’t interviewed Maia Wall or Krissy King for this story, so there are no quotes here. If you walked, styled or worked this show and want to add something on the record, write to editor@nightlifereport.app.
Nightlife Report · Bureau LAFW Oct 2026
Were you at Bureau LA Fashion Week? Request your photos
Tell us the show and the look. If we have you, we’ll email you the web-size, credited frames.
Email is double opt-in. Unsubscribe anytime. Editorial, web-size images only. Prefer email? Write to editor@nightlifereport.app with the show and look.
Models who want to be booked. Otte Models (21+), the future of modeling is here. Apply at ottemodels.com. Applying is free.
Disclosure: I attended on a Bureau media credential. Nightlife Report is independent; this story isn’t affiliated with or endorsed by The Bureau Fashion Week or Krissy King. Editorial use only; images are web-size and watermarked. Credit: Krissy King for The Bureau Fashion Week.
The runway was the arena. The pit was the tribune. One woman left with the laurels.
By Anthony Perlas · Nightlife Report · Sun Oct 18, 2026, PT
Editorial picks. The Venus Games is Nightlife Report’s own editorial format, scored under our Runway Points rules. These are our picks at Bureau LA Fashion Week, Oct 16-17, 2026, not official Bureau awards. The Bureau announced no winners.
Darlings, picture it. A long, lit strip of floor at The Lot Studios on Formosa Avenue in West Hollywood. A packed house on both sides. And at the far end, a pit of photographers on a riser, monopods planted like standards, every lens aimed at the same center line. That’s our Colosseum. The models are the contenders, the runway is the arena, and the media pit is the judges’ tribune.
One rule before the gates open: nobody here is a rival. Nobody gets thrown to the lions. In this arena everyone is a contender, and the only thing being fought over is the light.
The tribune: five seats in the pit
The panel sits where the photographers sit, because that’s where the verdict gets made: frame by frame, at the end mark. Five seats. Here’s who’s in them, and what’s real.
A clean turn, end-of-runway control, and a garment that holds in a still from the pit. His picks win.
2. The Edge
Rhea Colburn
Fictional panel persona
Precision on the walk and the turn. The look has to read as one idea, exit to end mark.
3. The Spotlight
Willa Kester
Fictional panel persona
Posing, nerve and recovery. Names the strongest moment before the note.
4. The Front Row
Remy Talcroft
Fictional panel persona
Garment presentation that makes the room react, and presence that holds a still.
5. The Media Pit
The Media Pit
A collective seat, not a person
The pit’s read on the night, as one vote.
Rhea Colburn, Willa Kester and Remy Talcroft are original fictional personas written for Nightlife Report. They aren’t real people, they weren’t in the room, and they aren’t based on, named after or voiced like any real TV judge or industry figure. The Media Pit is a collective seat, not a named photographer. At Bureau, no Media Pit ballot was collected or counted, so under our “pending means pending” rule that card reads pending. Nobody filed stand-in scores for it. The real eye in the pit, and the final call, belonged to Anthony.
What the tribune scores
Editor’s note: the panel scores performance, not looks.
Every seat uses the same Runway Points card: Walk, Presence, Styling and Camera, 0-10 each. Walk covers pace, line, the turn and control at the end mark. Presence asks whether the room watches her and whether she owns the space. Walk confidence lives in those two boxes. Styling is hair, makeup, accessories and fit, and whether the look reads as one whole. Camera asks whether the look holds in a still from the pit.
What never gets scored: faces, bodies, symmetry, physique, height, weight, age, or anyone’s beauty. Not in a number, not in a word, not ever.
The points: 16, 12, 10
The laurels come with points, and the points come from the place. Our Runway Points rules borrow college wrestling’s championship scale: 1st 16, 2nd 12, 3rd 10, then 9, 7, 6, 4 and 3 down to eighth. Places 4-8 weren’t filed at Bureau. The points follow the place, not the person. The head judge sets the order, and the comparison round tests it.
One honest limit on the chart below: at Bureau we published no numeric category scores. The comparison round was marked in words, from stills, not video. So the scoreboard shows those word marks exactly as filed, next to the placement points. We didn’t turn “Edge” into a number, because that number would be made up.
The Venus Games scoreboard: placement points (16 / 12 / 10) and the comparison-round word marks as filed. Editorial picks, not official Bureau awards. Graphic: Nightlife Report
GOLD: Ava Kortman
She stole the show. Then she came back the next night and stole it again.
Ava Kortman, The Bureau Fashion Week Opening, Oct 16, 2026. Photo: Anthony Perlas / Nightlife Report
Day 1, “The Opening,” Fri Oct 16.Ava Kortman (@avakortman) wore a black lace top and red satin wide-leg trousers under the LED wall. At the end mark the look reads clean: the satin catches the wall light and the frame works without a caption. In Day One to Day Two, Anthony called her the one he “couldn’t look away from: presence, poise, and a total command of the camera.” Friday’s board had her on top, as our Model of the Event.
Ava Kortman (per our editor), The Bureau Fashion Week Finale, Oct 17, 2026. Frame P1001100 (also P1001097). Photo: Anthony Perlas / Nightlife Report
Day 2, “The Finale,” Sat Oct 17.Per our editor, Ava walked the black-and-gold feather wings look in the closing segment: gold top, jeweled bottom, the mermaid screen behind her, frames P1001097 and P1001100. In P1001100 the black wings sweep to the floor with gold-tipped feathers, and the whole look sits squarely in the frame. Wings are the hardest garment in the arena. They’re wider than the walk.
On the scoreboard: Edge on posture and line, the pose at the end mark, garment presentation, carrying the look first step to exit, and the camera, where she was even with Emily on Day 1. Two nights, one standard. 16 points. Gold. Nightlife Report Model of the Year.
SILVER: Emily Sophie Christine
Emily Sophie Christine, The Bureau Fashion Week Opening, Oct 16, 2026. Frame P1000711. Photo: Anthony Perlas / Nightlife Report
Emily Sophie Christine (@emilysophiechristine) carried a black top and gold-and-navy dot-print maxi under the flame wall, with bold print, bell sleeves and a wide black belt. That’s a busy garment to present, and it still reads cleanly in a still. Her case is depth. The pit’s camera found her four times on Day 1, in the P1000704 to P1000713 run, and the look held in every frame. On camera she tied the champion. She moved up from third in the comparison round. On Saturday, per our editor, she walked the Finale too. 12 points. Silver.
BRONZE: Kyla Dodds
Kyla Dodds’s look, The Bureau Fashion Week Finale, Oct 17, 2026. Frame P1001038 shows the look she wore in frames P1001037 and P1001039. Photo: Anthony Perlas / Nightlife Report
Kyla Dodds (@kyla.doddsss) closed out the Finale in red-and-white feather wings over a white beaded fringe top. In P1001038 the wings are held open at the edges. That’s the biggest single garment moment of the weekend, on the closing bill. Two frames on our card put her third, behind a deeper Emily file. Still on the podium. 10 points. Bronze.
The other models. Two nights, two full bills, and plenty of strong walks beyond our three medalists. But our notes don’t tie any other model to a specific look and night, so we’re not naming anyone else as a contender. Being left off this page isn’t a ranking, and not being scored isn’t a judgment. A story handle shows who posted a frame, not who walked. If you walked and want your credit, tag us and we’ll check.
The verdict from the tribune
Two nights in the arena. Three medals: gold for Ava Kortman, silver for Emily Sophie Christine, bronze for Kyla Dodds. And one champion who did it twice. Nothing on either night’s slate took the crown off her.
What stays unconfirmed: crowd reaction to any of the three walks. Stride and turns weren’t scored, because we shot stills, not video. The Media Pit card is pending. And no medalist is quoted here, because we won’t quote what we haven’t read.
Editorial scoring: The Venus Games and Runway Points are Nightlife Report editorial picks by head judge Anthony Perlas. They aren’t official Bureau awards, and the Bureau announced no winners. Rhea Colburn, Willa Kester and Remy Talcroft are fictional panel personas. The Media Pit is a collective seat, not a person, and its card is pending. “The Colosseum” is our metaphor for the runway, not a contest between models. We judge the walk and the presentation only: never faces, bodies or beauty. Anything we couldn’t confirm says “unconfirmed.”
Who judges, what counts, and how a model ends up on the throne.
By Anthony Perlas · Nightlife Report · Sun Oct 18, 2026, PT
Editorial picks. The Venus Games is Nightlife Report’s own editorial format, scored under our Runway Points rules. These are our picks at Bureau LA Fashion Week, Oct 2026, not official Bureau awards. The Bureau announced no winners.
Darlings, you’ve seen the board. Now you get the rulebook. Everyone wants to know how a model ends up with 16 points and a crown. So here’s the whole machine, then the case for the woman who won it.
The final Venus Games board, Bureau LAFW (Oct 16-17, 2026):
Ava Kortman. 16 points.Nightlife Report Model of the Year.
The professional standard: a clean turn, end-of-runway control, and a garment that holds in a still from the pit. His picks win.
The Edge
Rhea Colburn
Fictional panel persona
Precision on the walk and the turn. The look has to read as one idea from exit to end mark.
The Spotlight
Willa Kester
Fictional panel persona
Posing, nerve and recovery under pressure. Names the strongest moment before the note.
The Front Row
Remy Talcroft
Fictional panel persona
Garment presentation that makes the room react, and presence that holds a still.
Rhea Colburn, Willa Kester and Remy Talcroft are original fictional personas written for Nightlife Report. They aren’t real people, and they aren’t based on, named after or voiced like any real TV judge or industry figure. Their seats give the panel its voices and its arguments. The final call belongs to the one real judge: Anthony.
What we score
Editor’s note: the panel scores performance, not looks.
Every judge fills in the same Runway Points card: four categories, 0-10 each, max 40. Every criterion we care about lives inside one of those four boxes.
What we watch
Where it counts on the card
What it means on the runway
Runway walk
Walk
Pace, line and stride, first step to exit.
Posing and turns
Walk
The turn, and control at the end mark: does she hold the pose, or rush it?
Presence and charisma
Presence
Does the room watch her? Does she own the space?
Overall presence and presentation
Presence
How the whole look is carried as one performance.
Garment presentation (selling the look)
Styling and Camera
Does the garment get its moment? Does it hold up in a still from the pit?
Styling and hair/makeup execution
Styling
Hair, makeup, accessories and fit, and whether the look reads as one whole.
Crowd reaction
Presence
How the room answers. We count it only when we logged it.
Every judge uses the same scale. 0-2 didn’t land. 3-4 below the room. 5-6 solid professional. 7-8 bookable, stands out. 9 best of the show. 10 best we’ve seen this season.
What we never score: faces, bodies, height, weight, measurements, age, or anyone’s attractiveness. No body rules, ever.
How the points work
This is the part everyone screenshots.
The criterion scores don’t add up to 16. The 16, 12 and 10 are placement points. They’re borrowed from college wrestling’s championship scale and written into Runway Points from day one.
Place
1st
2nd
3rd
4th
5th
6th
7th
8th
Placement points
16
12
10
9
7
6
4
3
The formula: your place sets your points. 1st = 16, 2nd = 12, 3rd = 10. So Ava = 16, Emily = 12, Kyla = 10. The points follow the place, not the person. When Emily moved up to second, the 12 moved with her.
How the place gets set:
The panel score is the average of the judges’ cards that were actually filed, out of 40. A card that’s still pending gets left out. It never counts as a zero.
The Head Judge sets the order. The panel informs it, the comparison round tests it, and Anthony makes the call. If the cards ever disagree with his pick, his pick stands. We recheck the cards and publish the disagreement.
No negative points. If we didn’t see it, we don’t score it. “Not seen” isn’t a loss.
Pending means pending. We never fill a blank with an estimate. At Bureau we published no numeric cards. The comparison round was marked in words, not numbers (see below), and places 4-8 weren’t filed.
Model of the Year 2026 is a season title: Anthony’s pick, named Oct 17. The season ladder sits on a separate table, adding +2 for each Model of the Event. The Bureau board above shows placement points only.
Tiebreakers
When two looks score within half a point, we break the tie in this order:
Higher Camera average: does the still hold?
Higher Presence average.
The ride-out: the finale walk, if there was one. It counts only for breaking ties.
The Head Judge’s call, published with a one-line reason.
The comparison round
A board that can’t be corrected isn’t worth reading. So before a board is final, the top three go head-to-head: Ava vs Emily, Emily vs Kyla, Ava vs Kyla.
Each judge gets three views of the same model. Front: posture and line. Side: stride and pace. Back: the turn. Then come the pose at the end mark, the garment presentation, how the look is carried first step to exit, whether the still holds, and how the room answered.
Marks come in words, not numbers. Edge means best of the three on that line. Strong is next. Present means on the record but not deciding. Then there are two honest ones. Not scored means we only had stills, and stride and the turn don’t live in a single frame. Unconfirmed means we didn’t log it, and crowd response was unconfirmed for all three.
That round is why the board changed in public. On Saturday night at 10:19 PM PT we filed Kyla second. After the head-to-heads, Emily moved up to second and Kyla to third. Read every round: The Venus Games: Comparison Round.
The Winner’s Report: why Ava Kortman nailed it
Hold the front page, darlings. The throne didn’t move all weekend.
Ava Kortman, The Bureau Fashion Week Opening, Oct 16, 2026. Photo: Anthony Perlas / Nightlife Report
Friday: the look that set the bar. At “The Opening” on Fri Oct 16, Ava Kortman (@avakortman) walked in a black lace top and red satin wide-leg trousers, under the LED wall. At the end mark it reads clean. The satin catches the wall light, and the frame works without a caption. That’s garment presentation done right: the look gets its moment, and nothing fights it. In Bureau LAFW: Day One to Day Two, Anthony called her the one he “couldn’t look away from: presence, poise, and a total command of the camera.” By Friday night she sat on top of the overnight board, named our Model of the Event.
Saturday: she did it again. Per our editor, Ava came back in the closing segment of “The Finale” on Sat Oct 17. This time it was black-and-gold feather wings, a gold top and a jeweled bottom, against the mermaid screen, in frames P1001097 and P1001100. In P1001100 the black wings sweep to the floor with gold-tipped feathers, and the whole look sits squarely in the frame. Wings are the hardest garment on the floor to present. They’re wider than the walk. She presented a second big look at the same standard, a night after the first. (The Day 2 identification is per our editor.)
The head-to-heads.
vs Emily Sophie Christine: dead even on camera on Friday. Presence was the line that never swung, and Ava had two nights to Emily’s one. Edge: Ava.
vs Kyla Dodds: wings against wings on the same closing bill. Kyla brought one strong look to one night. Ava brought a second look at the same level. Edge: Ava.
Her scorecard, line by line.
Line
Ava’s mark
Front view: posture and line at the end mark
Edge
Pose at the end of the runway
Edge
Garment presentation
Edge
How the look was carried, first step to exit
Edge (two nights; Day 2 per our editor)
Camera: does the still hold?
Edge (even with Emily on Day 1)
Side view: stride and pace
Not scored (stills only)
Back view: the turn
Not scored (stills only)
Crowd reaction
Unconfirmed
Styling and hair/makeup execution
Unconfirmed (no separate line was marked)
What we’re not telling you, because we don’t know it. Crowd reaction to her walks: unconfirmed. Her stride and her turn: not scored, because we shot stills, not video. A word from Ava herself: unconfirmed. Our notes hold no story or caption from her this weekend, and we won’t quote what we haven’t read.
The verdict. Presence at the end mark. A look presented clean. Then a second, harder garment carried at the same standard a night later. Nothing on either night’s slate took the throne. First place, 16 points. Nightlife Report Model of the Year. Bow down, darlings. It’s earned.
Editorial scoring: The Venus Games and Runway Points are Nightlife Report editorial picks by head judge Anthony Perlas. They aren’t official Bureau awards, and the Bureau announced no winners. Rhea Colburn, Willa Kester and Remy Talcroft are fictional panel personas. We judge the walk and the presentation only: never faces, bodies or attractiveness. Anything we couldn’t confirm says “unconfirmed.”
The runway ended Saturday night. The press release went out after 2 AM, one story frame at a time.
By Anthony Perlas · Nightlife Report · Sun Oct 18, 2026, PT
How to read this piece. Every quote below is public story or caption text, copied as it appeared and credited to the account that posted it. A handle on a story shows who posted the frame. It doesn’t confirm who walked, for which house, or on which night. Where we can’t pin something down, we say unconfirmed. The Venus Games placings are Nightlife Report editorial picks, not official Bureau awards.
Darlings, the lights went down on the Bureau’s LA Fashion Week Finale at The Lot Studios on Saturday night. Then the second show started, on phones. Between Saturday morning and the small hours of Sunday, one swim label’s story reel turned into a running diary of the weekend, stitched together from frames reshared by people who were in the room: wings, robes, a Bureau credential card, a thank-you note, and one frame that may not be from this weekend at all.
I shot the runway from the pit. This is the other half of the record: what the runway said about itself online.
Pink-and-white feather wings on the Krissy King Swim runway, under the label’s mermaid-and-seahorse screen, “The Finale,” Bureau Los Angeles Fashion Week, The Lot Studios, West Hollywood, Sat Oct 17, 2026. Frame P1001054. Model not identified in our notes. Photo: Anthony Perlas / Nightlife Report
The reel: fourteen frames, one label
The account is @krissykingthelabel, the swim label that walked the Bureau’s Saturday 8:30 PM Finale as Krissy King Swim. We read its live story reel frame by frame early Sunday, between about 2:30 and 2:50 AM PT: fourteen frames, oldest to newest. Instagram stamps each frame with its age, so the times below are approximate.
The frames that spoke for themselves:
Saturday, about 8:30 AM PT. A frame reshared from @allycullipher: “Today is OUR LAFW Show Day!” and, under it, “The girls’ Super Bowl is in 2 days.” Hold that thought. We’ll come back to it.
Saturday, about 6:30 PM PT. From @avarosegiannini: a card held up in a dim venue that reads “THE BUREAU FASHION WEEK – MODEL,” tagged to @thebureaufashionweek and @krissykingthelabel.
Saturday, about 8:30 PM PT, right around the Finale’s start time. No reshare handle, a Charli xcx track (“Speed Drive,” from the Barbie album), feather wings seen from behind, and the line “The Angles Have Landed at LAFW.” Yes, “Angles.” The typo is on the frame, and we’re leaving it there. A wing emoji sits between the words.
Sunday, about 12:30 AM PT. A runway frame watermarked by @satginstudio, tagged to the Bureau and the label, with a “Los Angeles, California” location sticker and the KRISSY KING backdrop in shot.
Sunday, roughly 2:15 to 2:45 AM PT, the after-hours rush. From @marchandlynae: “Thanks LAFW, I had a blast.” From @kyla.doddsss: “Tonight’s show,” with both tags. And the reel’s last word, from @avarosegiannini: “@krissykingthelabel does LAFW the best.”
Also in the reel, and not evidence of anything in particular: a frame from @maiawall03 that reads only “bro,” a mirror selfie, a backstage make-up moment, a crowd facing the KRISSY KING screen, and a reshare from @swimweekmia captioned “Throwback to Miami.” That last one is plainly not this weekend, and it tells you how a label’s story really works. It’s a scrapbook, not a ledger.
One timing note we can’t settle from Instagram alone. “Tonight’s show” and “Thanks LAFW” landed on the label’s story after 2 AM Sunday. That fits the Saturday Finale, but they may be reshares of clips posted earlier. The time each original went up is unconfirmed.
The frame that doesn’t add up
Back to frame one. “Today is OUR LAFW Show Day!” sits over “The girls’ Super Bowl is in 2 days.” Its “Watch full reel” link goes to a reel @allycullipher posted on Fri Oct 16, whose caption tags @victoriassecret and asks “Who’s watching Sunday?”
Victoria’s Secret says its Fashion Show streams live from Los Angeles today, Sunday Oct 18, at 4:30 PM PT. Count two days back from Sunday and you land on Friday. Krissy King Swim walked Saturday’s Finale. So the “show day” in that frame was a different day, or a different show, or the frame was made on Friday and reposted on Saturday. We don’t know which. Unconfirmed, and possibly a recycled frame. We’re not reading it as proof of who walked when.
The Angel crossover
Here’s the plot line nobody announced and everybody posted. On Wed Oct 14, @allycullipher posted a reel in collaboration with the label, captioned “Every girl dreams of her @victoriassecret angel moment… I just got to have my own version @krissykingthelabel” and “It’s almost officially the girls’ Super Bowl!”, with #VSFashionShow. Early Sunday, a frame credited to the same handle on the label’s story read “@krissykingthelabel meets @victoriassecret”, over a black-and-white group shot in feather wings. And Krissy King’s link-in-bio carries an “Angel Energy Girls Application.”
Let’s be precise. That’s framing, by the label and by the people posting about it. Nothing we found says Victoria’s Secret has any tie to Krissy King, and none was announced. What is on the record: a swim label put feather wings on the Bureau’s closing runway in Los Angeles the night before the Victoria’s Secret show in Los Angeles, and the people posting about it said “Angel” out loud.
Pink-and-gold feather wings over a gold metallic swim look at Krissy King Swim, with the mermaid screen behind, “The Finale,” Sat Oct 17, 2026. Frame P1001045. Model not identified in our notes. Photo: Anthony Perlas / Nightlife Report
The rest of the room
The label wasn’t the only account turning stories into a credits roll. When we read @thebureaufashionweek‘s own story reposts on Saturday afternoon, much of the talking came from the people behind the cameras and the brushes:
@d.bryanbryxph:“Day 2 of LAFW with @thebureaufashionweek.”
@berhanewediriiephotography:“LAFW at @thebureaufashionweek.”
@satginstudio:“shooting from the media pit all weekend.” Hello, neighbour. See you on the riser.
@journeykayofficial:“Ready to hit the LAFW runway!!!” Which show and which house: unconfirmed.
@lucyluxxury:“Styled by @lucyluxxury,” on an “LA day” frame.
@kingschocolateco:“Busy in LA! @cru.king.” Their role at the shows: unconfirmed.
The producer’s own feed, meanwhile, kept it minimal. Its LAFW recap reel and its Day 2 carousel carried hashtags, not handles, when we checked on Saturday. The credits lived in the stories.
Disclosure, because we’d want it from anyone else: one of the Bureau’s Saturday story reshares was Nightlife Report’s own Sewreffic collab post, crediting Emily Sophie Christine and the Sewreffic design.
Ava Kortman, for Krown Kink, the house of Casey Lee Parker. Nightlife Report Model of the Year.
Emily Sophie Christine, for Sewreffic.
Kyla Dodds, for Krissy King.
Best Overall Modeling Team: Deborah Beaumont Designs.
Only one podium handle turns up in the story text above: @kyla.doddsss, whose “Tonight’s show” frame was tagged @krissykingthelabel and @thebureaufashionweek. That tag is part of how her house went on our record as Krissy King.
For Ava, for Emily and for the Deborah Beaumont team, our notes hold no story or caption text of their own from this weekend. That isn’t the same as saying they posted nothing. It means we won’t quote what we haven’t read. Their case was made on the runway, and you can see it in Bureau LAFW: Day One to Day Two.
A pink top and a printed maxi skirt from Deborah Beaumont Designs, our Best Overall Modeling Team, “The Opening,” Bureau Los Angeles Fashion Week, The Lot Studios, West Hollywood, Fri Oct 16, 2026. Frame P1000580. Model not identified in our notes. Photo: Anthony Perlas / Nightlife Report
What the stories told us
Swim borrowed the Angel playbook on the Angels’ own weekend. Feather wings at the Finale, “Angles Have Landed,” “meets @victoriassecret,” an “angel moment” caption and an “Angel Energy Girls” form, all the night before the Victoria’s Secret show streams from Los Angeles. An independent swim label told the same story at its own scale. Smart timing. Just don’t mistake a tag for a partnership.
The models’ own posts were the real press release. The producer’s feed posts we checked named no one by handle. The thank-yous, the credential card and the “Tonight’s show” tag did the crediting, and the label reshared them as they came in. If you want to know who was in the room, read the reshares. Then check them.
A reshare isn’t a roster. A handle on a story tells you who posted the frame, not who walked, for whom, or when. Some frames in this reel are plainly not from this weekend (“Throwback to Miami”), one may be recycled, and the late-night ones can’t be timed to the minute. That’s why this piece says “unconfirmed” as often as it does.
The runway doubles as a casting funnel. Krissy King’s link-in-bio holds three links: an “NYFW Casting!” Google Form, a Linktree, and the “Angel Energy Girls Application” form. Every pair of wings on Saturday was also an ad for the next casting call. We didn’t open or fill in the forms, so what they ask for is unconfirmed.
Stories are an archive with a 24-hour fuse. When we looked, the label had no October post in the first dozen tiles of its grid and no LAFW highlight. From the label’s side, the whole LA weekend lived in a reel that expires a day after each frame goes up. If nobody writes it down, it’s gone by Monday. So we wrote it down.
It’s a tour, and the label said so. On Sep 24, after the Bureau’s New York show, the label’s own caption read “We’re still not over NYFW! Next Stop: PARIS and then LA!” LA was a stop on a circuit, announced weeks out. Independent labels are building a season the way the big houses do: city by city, in public.
Saw a story we missed, or a credit we got wrong? Tell us on the Nightlife Report forum. We fix things in public.
How we did this: we read @krissykingthelabel’s public profile, link-in-bio and live story reel early on Sun Oct 18, between about 2:30 and 2:50 AM PT, and the Bureau’s story reposts on Saturday afternoon. Read-only: no likes, follows, comments, replies or DMs. Quotes are copied as they appeared on screen, spelling included; emoji are left out. Frame times come from Instagram’s own age stamps and are approximate. The Victoria’s Secret show date is from the brand’s own announcement.
Disclosure: Krissy King is also a Bureau co-founder and producer. One Bureau story reshare was Nightlife Report’s own post. The Venus Games and Runway Points are Nightlife Report editorial picks by head judge Anthony Perlas, not official Bureau awards; the Bureau announced no winners. We judge the walk and the presentation only, never faces or bodies.
Three walks, three head-to-heads, one corrected board.
By Anthony Perlas · Nightlife Report · Sun Oct 18, 2026, PT
Updated Oct 18: Emily Sophie Christine moves to second, Kyla Dodds to third; Kyla’s designer confirmed as Krissy King.
Editorial picks. The Venus Games is Nightlife Report’s own editorial format. These are our picks, not official Bureau awards. The Bureau announced no winners.
Darlings, a board that can’t be corrected isn’t worth reading. So here’s the correction, done in public: the podium has been re-checked look by look, and two names have changed places.
The final Venus Games board:
Ava Kortman, for Krown Kink (designer Casey Lee Parker). Nightlife Report Model of the Year.
Emily Sophie Christine, for Sewreffic.
Kyla Dodds, for Krissy King.
Best Overall Modeling Team:Deborah Beaumont Designs.
How we judge a round
We score the walk and the presentation. That’s it. Picture a judge with three views of the same model: front, side and back. From the front we watch posture and line. From the side, stride and pace. From the back, the turn. Then the pose at the end of the runway, how the garment is presented, how the look is carried from first step to exit, and how the room answers.
We never rate faces, bodies or attractiveness, and we never will.
One honest limit: we graded from stills, not video. Stride, pace and the turn don’t live in a single frame, so where a criterion needs motion, the card says “not scored” rather than pretend. Crowd response wasn’t logged look by look, so it’s unconfirmed for all three.
Head-to-head 1: Ava Kortman vs Emily Sophie Christine
Same night, same bill: “The Opening,” Fri Oct 16.
Ava Kortman in Krown Kink by Casey Lee Parker, “The Opening,” Bureau Los Angeles Fashion Week, The Lot Studios, West Hollywood, Fri Oct 16, 2026. Photo: Anthony Perlas / Nightlife ReportEmily Sophie Christine walks for Sewreffic during “The Opening,” Fri Oct 16, 2026. Frame P1000711. Photo: Anthony Perlas / Nightlife Report
Two clean stills, two very different garments. Ava carried Krown Kink’s black lace top and red satin wide-leg trousers under the KK crown on the LED wall, and the look reads clean at the end mark: the satin catches the wall light and the frame works without a caption. Emily carried Sewreffic’s black top and gold-and-navy dot-print maxi under the flame wall, with bold print, bell sleeves and a wide black belt. That’s a busier garment to present, and it still reads cleanly in a still.
On camera, we called them even. Presence was the round that never swung. Then Ava came back on Saturday and did it again (see head-to-head 3).
Edge: Ava. Presence at the end mark, a clean presentation of the garment, and two nights instead of one.
Head-to-head 2: Emily Sophie Christine vs Kyla Dodds
Different nights, different shows: Emily in Friday’s Opening, Kyla in Saturday’s Finale.
Red-and-white feather wings and a white beaded fringe top at Krissy King Swim, “The Finale,” Bureau Los Angeles Fashion Week, Sat Oct 17, 2026. Frame P1001038 shows the look Kyla Dodds wore in frames P1001037 and P1001039. Photo: Anthony Perlas / Nightlife Report
These two never shared a runway, so this is a cross-night read and we’ll say so. Kyla closed out with Krissy King in red-and-white feather wings over a white beaded fringe top. Wings are the hardest thing on the floor to present: the garment is wider than the walk, and in P1001038 the wings are held open at the edges. That’s a real garment moment, and it’s why she’s on this board.
Emily’s case is depth. Our camera found her four times on Day 1, in the P1000704 to P1000713 run, and the look held in every one. Kyla’s look sits in two frames on our card.
Edge: Emily. One look carried across four clean frames beat one big moment in two. Close round. No scandal, no feud: two strong walks, and one of them had more on the record.
Head-to-head 3: Ava Kortman vs Kyla Dodds
Wings against wings at the Krissy King close.
Black-and-gold feather wings, a gold top and a jeweled bottom against the mermaid screen at Krissy King Swim, “The Finale,” Sat Oct 17, 2026. Frame P1001100 (also P1001097). Per our editor, this is Ava Kortman. Photo: Anthony Perlas / Nightlife Report
Per our editor, Ava walked the Day 2 black-and-gold feather wings look: gold top, jeweled bottom, the mermaid screen behind her, frames P1001097 and P1001100. Those frames sit in the Krissy King Swim segment of our card. If that holds, Saturday gave us something rare: two contenders in wings on the same closing bill, black-and-gold against red-and-white.
Both garments are big. Both read in a still. In P1001100 the black wings sweep to the floor with gold-tipped feathers, and the whole look sits squarely in the frame.
Edge: Ava. Same test, two nights. Kyla brought one strong look to one night. Ava, per our editor, delivered a second look at the same level a night after the first.
The scorecard
Marks are the head judge’s qualitative calls from our stills: Edge (best of the three on that line), Strong, Present (on record, not the deciding factor). “Not scored” means stills only. No numbers, no bodies.
Criterion
Ava Kortman
Emily Sophie Christine
Kyla Dodds
Front view: posture and line at the end mark
Edge
Strong
Strong
Side view: stride and pace
Not scored (stills only)
Not scored (stills only)
Not scored (stills only)
Back view: the turn
Not scored (stills only)
Not scored (stills only)
Not scored (stills only)
Pose at the end of the runway
Edge
Strong
Present
Garment presentation
Edge
Strong
Strong
How the look was carried, first step to exit
Edge (two nights, Day 2 per our editor)
Strong (four frames)
Present (two frames)
Camera: does the still hold?
Edge (even with Emily on Day 1)
Edge (even with Ava on Day 1)
Present
Crowd response
Unconfirmed
Unconfirmed
Unconfirmed
Placement
1st
2nd
3rd
Why each placed where
1st, Ava Kortman (Krown Kink, designer Casey Lee Parker). Presence was never in doubt. A clean garment presentation on Friday, and per our editor a second winged look on Saturday at the same standard. Nothing on either night’s slate took the throne. Nightlife Report Model of the Year.
2nd, Emily Sophie Christine (Sewreffic). The deepest record of the three. Four clean frames of one look, a busy print presented clearly, and a camera round we called even with the champion. She moves up from third.
3rd, Kyla Dodds (Krissy King). The biggest single garment moment of the weekend: red-and-white wings on the closing show, held open at the edges. Her designer is now confirmed as Krissy King. Kyla’s own Instagram story tagged @krissykingthelabel and @thebureaufashionweek. One night and two frames put her third behind a deeper Emily file. She moves down from second, still on the podium.
Best Overall Modeling Team: Deborah Beaumont Designs. Unchanged. The deepest lineup from first look to last.
What changed, and why
On Saturday night, at 10:19 PM PT, we filed Kyla Dodds second, with her house unconfirmed and her points held. Two things have moved since. Her designer is now on the record as Krissy King. And on a second look at the board, our head judge moved Emily Sophie Christine up to second and Kyla Dodds to third. The head-to-heads above show what the record supports. So the board reads: Ava, Emily, Kyla. Placement points follow the place: 16, 12, 10.
Editorial scoring: The Venus Games and Runway Points are Nightlife Report editorial picks by head judge Anthony Perlas. They aren’t official Bureau awards, and the Bureau announced no winners. We judge the walk and the presentation only: never faces, bodies or attractiveness. Anything we couldn’t confirm says “unconfirmed.” Camera-clock times are approximate.
Disclosure: Krissy King is also a Bureau co-founder and producer.
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