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Category: Interviews

  • Julia Kolesnikova Wants LA to Wear Every Bright Color at Once. Here Are Her Five Hot Seat Answers.

    Julia Kolesnikova Wants LA to Wear Every Bright Color at Once. Here Are Her Five Hot Seat Answers.

    Five questions, printed exactly as she wrote them. A Los Angeles model on the color rules worth breaking, what the city’s sidewalks are missing, and the small change that would make Fashion Week better for every guest.

    Most people asked to name the most overrated thing in fashion reach for a target. A trend. A brand. A silhouette they are tired of seeing.

    Julia Kolesnikova reached for a paint box.

    She is a model in Los Angeles, and she goes by @julia_kolesnikova_psy on Instagram. She was handed the Golden Apple, which means she was handed the Hot Seat: five questions from Nightlife Report, about three minutes, and a promise that her words would run exactly as written. No rewrites. No polishing. No quotes we made up to sound better.

    What came back reads less like an interview and more like a manifesto for a brighter city. She wants more color, more nerve on the sidewalk and more kindness at the shows. And she wants it said with hearts.

    Here are her five answers, each one checked against what the public record says about the city she is talking to.

    How the Hot Seat works

    The format is simple on purpose. One person answers five questions: what is overrated in fashion, which style rule everyone should break, what LA gets wrong about style, an unpopular opinion, and the first thing they would change if they ran Fashion Week. Then they pass a golden apple to people they think deserve the seat next.

    We print the answers as submitted. Where we add context, it comes from published research or public data, and we cite it at the end. Anything we could not verify is marked [UNVERIFIED].

    Answer one: “Overrated” is the wrong word for it

    The first question was: what is the most overrated thing in fashion right now?

    Julia did not name a trend. She named a habit, and then she broke it in the same breath:

    “Let’s break the color rules and wear all the brightest colors at once! Wear what fills us with love and joy.”

    Read that again and notice the move. Asked what to tear down, she answered with what to build. The overrated thing, by implication, is the rule book itself: the idea that colors must be rationed, matched, kept in their lanes.

    It is a bigger idea than it looks. Color rules are mostly inherited, not tested. But the feelings attached to color appear to be widely shared. In a 2020 study in Psychological Science, researchers led by the University of Lausanne asked 4,598 people in 30 nations, speaking 22 languages, to link 20 emotions to 12 color words. The patterns were strikingly similar around the world, with an average similarity score of .88 between each nation and the global pattern.

    In other words, people largely agree on what colors mean. That makes the rules about how to combine them look less like science and more like etiquette. And etiquette, as anyone who has worked a runway knows, is there to be bent.

    Answer two: The rule she would break, now with hearts

    The second question asked for one style rule everyone should break. Julia gave nearly the same answer as before, but this time she signed it:

    “Let’s break the color rules and wear all the brightest colors at once! Wear what fills us with love and joy♥️🧡✨”

    Saying it twice is its own kind of evidence. This is not a throwaway line. It is a position.

    And the three symbols at the end line up neatly with the research. In the same 30-nation study, the most common color and emotion pairings included red with love, pink with love and joy, yellow with joy, and orange with joy. A red heart, an orange heart and a spark. Love and joy, written in the colors that people across 30 countries most link to those feelings.

    One honest caveat. The University of Lausanne has since stressed that this work measures associations: how people connect color words to emotion words. It does not prove that wearing red will make you feel love, or that orange causes joy. So we will not promise that a brighter outfit will change your mood. [UNVERIFIED as a cause-and-effect claim.]

    But Julia did not make that promise either. Her rule is simpler: wear what fills you with love and joy. That is not a lab claim. It is permission.

    Answer three: What LA gets wrong is the sidewalk

    Then came the question built to start arguments: what does LA get wrong about style? (Be honest. That’s the point.)

    “There’s plenty of fashion in LA, but I’d love to see more bold, stylish people on the streets.”

    Note what she does not say. She does not say LA lacks fashion. She says the opposite: there is plenty of it. Her complaint is about where it shows up.

    The numbers suggest she has put her finger on something structural. In the U.S. Census Bureau’s American Community Survey for 2024, 62.2% of workers living in the City of Los Angeles drove to work alone. Just 3.6% walked. About 16% worked from home.

    A city where most people travel inside a car is a city where most outfits are seen through a windshield. The fashion exists. It is simply parked.

    That matters because street style has always depended on the street. The late New York Times photographer Bill Cunningham, who spent decades documenting what people actually wore, put it plainly in the 2010 documentary Bill Cunningham New York: “The best fashion show is definitely on the street. Always has been and always will be.”

    Julia’s answer is a quiet challenge to that LA habit. If the best fashion show is on the street, Los Angeles needs more people willing to walk it.

    Whether Angelenos actually dress less boldly than people in other big cities is a fair question, and we found no reliable data that measures it. [UNVERIFIED.] What the census does show is the stage problem: fewer sidewalks in use, fewer chances to be seen.

    Answer four: The “unpopular” opinion that millions agree with

    The fourth question gave her a blank page: your unpopular opinion, about anything, from fashion and nightlife to art and the city.

    She used it to write a love letter:

    “LA is beautiful in every way—and it has my heart forever.”

    It is a gentle twist on the assignment. In a city that loves to complain about itself, saying you love it without conditions can feel like the bold position.

    But by at least one measure, Julia is in very large company. The Los Angeles Tourism & Convention Board reported in July 2026 that Los Angeles welcomed 49.5 million visitors in 2025, including 6.4 million from abroad. Those visitors spent about $118 million a day and supported more than 530,000 jobs.

    Nearly fifty million people a year do not travel to a city they find ugly. Julia’s “unpopular” opinion may be one of the most widely shared opinions in Southern California. It is just one that locals rarely say out loud.

    Put her third and fourth answers side by side and a clear picture forms. She loves this city enough to want more from it. That is not a contradiction. It is how someone who works in front of the camera treats anything she cares about: she wants it to look its best.

    Answer five: Champagne, coffee and the wait between shows

    The last question asked what she would change first if she ran Fashion Week.

    “I’d add a few champagne and coffee bars for guests to enjoy between shows.”

    It may be the most practical answer anyone could give, and the reporting suggests why.

    Fashion shows are famous for starting late and ending fast. Glossy, the fashion trade publication, put the typical runway delay at 30 minutes in its 2018 breakdown of fashion month, against a typical show length of 7 to 20 minutes. A first-hand account from New York’s fashion week in 2006 described shows starting about 45 minutes after the hour and lasting 10 to 12 minutes, concluding that guests spend longer standing in line than watching the show.

    Los Angeles has its own version of the story. Writing in California Apparel News in 2015, a columnist said waits at some Los Angeles shows went up to two hours. That was one writer’s experience, not a measured average. [UNVERIFIED as a typical LA wait time.]

    Put those figures together and the guest experience at many shows is mostly waiting. Julia’s fix turns that dead time into something people would actually look forward to: a coffee to stay sharp, a glass of champagne to celebrate, and a place to talk while they wait. She is not asking for a bigger runway. She is asking for better hospitality around it.

    It is also, notably, the answer of someone who thinks about the audience, not just the clothes.

    The Golden Apple: who Julia passes it to

    Every Hot Seat ends with a hand-off. Julia received the apple from @lillithmagic. She passes it to three people:

    @makeup_jenny_lv

    @thaishalisdeclet

    @soleabydarlyn

    Asked why, she answered in one line:

    “Because they each bring their own bold style and creative energy to LA.”

    Notice the word that keeps coming back. Bold. It appears in her answer about the streets and again in her reason for these nominees. Julia is not just describing the city she wants. She is naming the people she thinks are already building it.

    What her five answers add up to

    Strip away the format and Julia’s Hot Seat says three things.

    First, color is not a risk to manage. It is a feeling to share, and the research on color and emotion suggests those feelings are shared more widely than most rules allow.

    Second, Los Angeles does not have a fashion problem. It has a visibility problem. The style is here; the sidewalks are just quiet.

    Third, the best events are the ones that look after their guests. A coffee bar between shows will not make headlines. It will make people stay.

    It is a hopeful set of answers from someone who clearly loves where she lives. And it ends, fittingly, with a heart.

    Take the Hot Seat

    Think you can answer five questions in three minutes, honestly, and let us print every word? Take the Hot Seat here: https://docs.google.com/forms/d/e/1FAIpQLScFfR0rTRfRTrqUgVU1EdzhrARfKnnWFlyPPAYG9foOeHUtyQ/viewform

    Nightlife Report is independent and reader-supported. If you want more stories like this one, support the desk at patreon.com/aperlas.

    Sources

    1. Jonauskaite, D., et al. (2020). “Universal Patterns in Color-Emotion Associations Are Further Shaped by Linguistic and Geographic Proximity.” Psychological Science 31(10). doi:10.1177/0956797620948810. Author manuscript (University of Lausanne): https://api.unil.ch/iris/server/api/core/bitstreams/7d6867e0-d9bc-4341-885c-19643911db2d/content. Data used: 4,598 participants, 30 nations, 22 languages, 20 emotions, 12 color terms; average nation-to-global similarity r = .88; prominent pairs include red and love, pink and love/joy, yellow and joy, orange and joy. 2. University of Lausanne, “L’impact réel des couleurs sur nos émotions,” UNIL news: https://www.unil.ch/news/fr/1730964668072. Data used: the findings show associations and do not show that color causes an emotional response. 3. U.S. Census Bureau, American Community Survey 2024 1-year estimates, Table B08301, “Means of Transportation to Work,” Los Angeles city, California, via Census Reporter: https://censusreporter.org/tables/B08301/. Data used: drove alone 62.2%, walked 3.6%, worked from home 16.0% (calculated from the table’s estimates). 4. Bill Cunningham New York (documentary, 2010, dir. Richard Press). Quote also reproduced by PBS NewsHour, “Bill Cunningham, whose photographs epitomized street style, dies at 87”: https://www.pbs.org/newshour/arts/bill-cunningham-whose-photographs-epitomized-street-style-dies-at-87 5. Los Angeles Tourism & Convention Board, press release, July 29, 2026: https://www.discoverlosangeles.com/visitors-to-los-angeles-generated-426-billion-in-business-sales-and-supported-more-than-530000-jobs. Data used: 49.5M visitors in 2025, 6.4M international, $118M spent per day, more than 530,000 jobs. 6. Glossy, “Fashion month, by the numbers,” Feb. 6, 2018: https://www.glossy.co/fashion/fashion-month-by-the-numbers/. Data used: typical delay 30 minutes; typical show length 7 to 20 minutes. 7. Omiru, “Fashion Week Notebook: Time in the ‘Fashion Zone,’” Feb. 10, 2006: https://www.omiru.com/index.php/2006/02/10/fashion-week-notebook-time-in-the-fashion-zone/. First-hand account: shows started about 45 minutes late and lasted 10 to 12 minutes. 8. California Apparel News, “Fashion Week Humor,” Sept. 11, 2015: https://www.apparelnews.net/news/2015/sep/11/fashion-week-humor/. A columnist reported waits of up to two hours at some Los Angeles shows. This is anecdotal and marked [UNVERIFIED] in the text.

    Julia Kolesnikova’s answers were submitted to Nightlife Report’s Hot Seat on Oct. 23, 2026, and are printed as written under the contributor release.

    See the carousel on Instagram: https://www.instagram.com/p/De3T9cUkQiQ/

    Photos: @jerreell.rolack · Look: @eternalbeen · Makeup: @makeup_jenny_lv

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  • The Golden Apple Has Been Passed: Four Seats Are Waiting

    The Golden Apple Has Been Passed: Four Seats Are Waiting

    THE HOT SEAT · GOLDEN APPLE

    Congratulations, you’ve been selected.

    Four golden apples are in play in Los Angeles. You can’t buy one, and you can’t apply for one. Each was passed by someone who has already taken the Nightlife Report Hot Seat, and each holder now has seven days to answer or to pass it on.

    Think of it the way the great houses do it. A Ferrari special series goes to selected clients. A steel Rolex goes to whoever the dealer chooses. The Hot Seat works the same way: it’s an allocation, not an application. The only people who can choose the next four are the people already in the seat.

    Where the apples came from

    Independent LA designer @eternalbeen took the seat first and didn’t hold back: “Talent shouldn’t need a famous name or industry connections to be seen.” Eternalbeen passed three apples, with one reason: “They was apart of LAFW.” Read Eternalbeen’s full Hot Seat.

    LA creator @zackbernz followed with “I still miss the Supreme hypebeast days of 2016,” a fix for Fashion Week (“Bigger after parties”), and one apple of his own. Read Zack’s Hot Seat.

    And the weekend’s runway crown is already on record: Model of the Year Ava Kortman and first runner-up Emily Sophie Christine.

    The open bounties

    Apple 01 of 04 · 7 days

    Brian A. Metcalf

    @bametcalf1

    Passed by @eternalbeen
    Status: 🟡 Awaiting answer

    Take the seat →

    Apple 02 of 04 · 7 days

    Julia Kolesnikova

    @julia_kolesnikova_psy

    Passed by @eternalbeen
    Status: 🟡 Awaiting answer

    Take the seat →

    Apple 03 of 04 · 7 days

    Whitney J.

    @_whitneyj_

    Passed by @eternalbeen
    Status: 🟡 Awaiting answer

    Take the seat →

    Apple 04 of 04 · 7 days

    Liam Gallagher

    @liamdelvingallagher

    Passed by @zackbernz
    Status: 🟡 Awaiting answer

    Take the seat →

    The rules of the apple

    • Selected, not applied. Only a holder can pass an apple, and each seat can pass up to four.
    • Seven days. Answer the Hot Seat, or pass the apple to someone whose voice should be heard. On day eight it returns to the one who chose you.
    • Your words, as written. Five short questions, about three minutes. We print your takes under your name.
    • To the fairest. In the Greek myth, Eris tossed a golden apple marked “to the fairest” and started the most famous judgment in history. We don’t judge. We print who it lands on.

    Why a golden apple

    Virgil wrote that Rumor, Fama, “gathers strength as she goes”: a winged giant with an eye under every feather and a tongue for every eye. Medieval churches had their own version, Titivillus, a demon who wrote down every idle word spoken during Mass. Nightlife Report keeps a different kind of ledger: on the record, in your own words, with your name on it.

    Not holding an apple? The waitlist is how the next four are chosen. Email editor@nightlifereport.app or DM @lillithmagic, and follow the apples on Instagram.

    Quotes are printed as submitted to the Nightlife Report Hot Seat questionnaire, with the respondents’ permission. Illustration: Nightlife Report.

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  • While Victoria’s Secret Fought Over Who Deserves the Runway, LA Already Had Its Answer: Model of the Year Ava Kortman and First Runner-Up Emily Sophie Christine

    While Victoria’s Secret Fought Over Who Deserves the Runway, LA Already Had Its Answer: Model of the Year Ava Kortman and First Runner-Up Emily Sophie Christine

    Model of the Year

    The same week a $50M Fantasy Bra and a casting snub set the internet on fire, LA’s independent runway crowned its own. Emily Sophie Christine is first runner-up and Kyla Dodds is second runner-up, behind Nightlife Report’s Model of the Year, Ava Kortman. Emily tells us, in her own words, why she was “never meant to fit into a frame someone else had created.”

    By Anthony Perlas · Nightlife Report · Thu Oct 22, 2026

    Emily Sophie Christine walks for Sewreffic during The Opening at Bureau Los Angeles Fashion Week
    Emily Sophie Christine walks for Sewreffic during “The Opening,” Bureau Los Angeles Fashion Week, The Lot Studios, West Hollywood, Fri Oct 16, 2026. Photo: Anthony Perlas / Nightlife Report

    The internet spent the weekend arguing about who deserves a runway. On Sunday, Oct 18, the Victoria’s Secret Fashion Show filmed at Sony Pictures Studios in Culver City. More than 3 million people watched live (The Publish Press). Within hours the conversation turned into a fight. Kylie Jenner wore the $50M Jacob & Co. Fantasy Bra, the first non-Angel to do so, and fans called it “UNACCEPTABLE” (Daily Mail). Former VS walker Romee Strijd posted her casting rejection, and boycott calls followed (Fashion Times). Then came a nepo-baby casting row (Daily Beast).

    A few miles north, two nights earlier, LA’s independent runway had already made its picks. Nothing here ties these models to Victoria’s Secret, and we’re not claiming anything does. But the question everyone is suddenly asking, who gets to be seen, is the one this list answers.

    The board:

    • Model of the Year 2026 (Nightlife Report pick, published Oct 17): Ava Kortman (@avakortman)
    • First runner-up: Emily Sophie Christine (@emilysophiechristine)
    • Second runner-up: Kyla Dodds (@kyla.doddsss)
    • Runner-up placements per Anthony Perlas on Instagram (@lillithmagic).

    Rankings are our editorial view, not official Bureau results.

    Emily Sophie Christine, in her own words

    Emily Sophie Christine smiling backstage at The Bureau Fashion Week LA
    Emily Sophie Christine, from the photos she submitted with her interview. Photo courtesy of Emily Sophie Christine

    Emily walked twice at Bureau Los Angeles Fashion Week: for Sewreffic during “The Opening” on Friday, Oct 16, and for Hey Sis! I Got You! on Saturday. Her public book includes a walk for Runway 7 Fashion (Barbizon Insider, Feb 2026, via Nightlife Report). She answered Nightlife Report’s questionnaire in writing on Oct 21. Everything below is exactly as she wrote it.

    On who she is:

    “I see myself as an ancient Egyptian pyramid: something people are drawn to admire from the outside, yet few ever truly understand what lies within. Like these monuments that have stood for thousands of years through the harshest elements of time, I carry a depth of history, resilience, and untold stories beneath my surface and somehow, I continue to stand as though the storms never came.”

    On why she chose this path:

    “I don’t think there was ever one particular moment that made me choose this path; I think it was a lifetime of feeling like the outsider in every room I entered. I spent so much of my life searching for a place where I belonged that eventually, I began creating one through the very thing that made me feel different. Modeling and acting became more than a career to me; they became a language for everything I never knew how to say, a way to give a face to the parts of myself the world had never taken the time to understand. Perhaps I was never meant to fit into a frame someone else had created for me. Perhaps I was meant to stand in front of the camera and tell stories that remind other people what it feels like to be misunderstood, to be different, and still to be worthy of being seen.”

    On her favorite moment, which didn’t happen on the runway:

    “Some of my favorite moments happened away from the runway, particularly the unexpected connection made over dinner in Los Angeles at Laurel Hardware. I think there is something beautiful about meeting someone as a stranger and discovering, over a conversation, that there is an entire world behind the person sitting across from you. In an industry where so much is carefully curated, I find the unplanned moments the most revealing.”

    On what people get wrong about modeling. This is the line that lands hardest in a week of VS casting fights:

    “I think people often mistake an industry built around appearance for one built around vanity. Whenever I tell people I model and act, they assume it must be an emotionally draining environment filled with self-centered people, when my experience has often been the opposite. I’ve found that when you surround yourself with people who are comfortable in their own individuality, there is less of a need to diminish anyone else’s. My most genuine friendships have come from modeling, because there is something uniquely beautiful about being surrounded by people who each have the courage to be seen, yet can still appreciate that same light in someone else. I think people underestimate how much confidence can create community rather than competition.”

    On what’s next: law school, film, and faith:

    “I don’t know exactly what I’m building next, and I think there is something liberating about that. I know I am pursuing law, continue working in film and modeling, and creating a life that reflects the full depth of who I am. Beyond that, I’m leaving room for the unexpected—for the places I’ll go, the people I’ll meet, and the kind of love that might find me when I’m busy becoming myself. I don’t need to know how the entire story ends because I know the director; He has it written, and I have to act it out.”

    Emily Sophie Christine walking the Hey Sis! I Got You! runway at The Bureau Fashion Week LA in a metallic slip dress and sheer duster, black and white
    Emily Sophie Christine walks for Hey Sis! I Got You!, Bureau Los Angeles Fashion Week, Sat Oct 17, 2026. Hair @stylezzby_risss, makeup @soleabydarlyn, shots @adamlupix. Photo courtesy of Emily Sophie Christine

    Ava Kortman: still Model of the Year

    Ava Kortman on the runway for Krown Kink, Look 01, The Bureau Fashion Week LA, The Opening
    Model of the Year Ava Kortman walks Look 01 for Krown Kink, The Opening, Bureau Los Angeles Fashion Week, Fri Oct 16, 2026. Photo: Anthony Perlas / Nightlife Report

    Ava Kortman (@avakortman) walked for Krown Kink, the label from designer Casey Lee Parker. Nightlife Report named her Model of the Event and our Model of the Year 2026 (Nightlife Report). Off our runway, Miami Living Magazine credited her as a model for Star Mother Swimwear. Her agency is unconfirmed, so we’re not naming one.

    Kyla Dodds: second runner-up

    Kyla Dodds smiling over her shoulder in a red dress
    Second runner-up Kyla Dodds. Photo via @kyla.doddsss Instagram

    Kyla Dodds (@kyla.doddsss) walked for Krissy King. Her public book includes a New York Fashion Week runway in 2023, per Tabloid Nation (via Nightlife Report).

    Why this matters this week

    Victoria’s Secret is winning on numbers. Its YouTube stream is near 31 million views (ViralShooter), and #vsfs2026 searches jumped 2,633% (Nightlife Report). But the loudest replies are about fairness. Who gets cast? Who gets the bra? Who gets turned away? Viewers even called some looks “cheap” and the wings “tacky” (Fashion Times).

    Emily put it in one sentence before any of this blew up: “I think people underestimate how much confidence can create community rather than competition.”

    More from the Hot Seat

    Request Coverage: editor@nightlifereport.app

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  • “I Still Miss the Supreme Hypebeast Days of 2016”: Zack Bernz Takes the Hot Seat

    “I Still Miss the Supreme Hypebeast Days of 2016”: Zack Bernz Takes the Hot Seat

    NR Hot Seat

    LA creator Zack Bernz doesn’t hold back. He calls the goofy sunglasses overrated, puts a tank top and muscles above any brand name, and says Fashion Week needs bigger after parties. Plus: who he’s passing the golden apple to.

    By Anthony Perlas · Nightlife Report · Thu Oct 22, 2026

    Zack Bernz in the boxing gym, gloves up
    Zack Bernz in the gym, gloves up and grinning. Photo courtesy of Zack Bernz

    Zack Bernz (@zackbernz) makes music, vlogs, boxes and, in his own channel bio, likes “to party” (YouTube). He took Nightlife Report’s Hot Seat this week. His answers are below, exactly as submitted.

    Most overrated right now?

    “The goofy looking sun glasses”

    Unpopular opinion?

    “I still miss the Supreme hypebeast days of 2016.”

    One rule worth breaking?

    “Ugg boots with long shorts.”

    Zack Bernz performing on stage under red lights
    Guitar in hand, under the red lights. Photo courtesy of Zack Bernz

    What does LA get wrong?

    “Brand name clothes are not cooler than a wife beater tank top and muscles”

    Confession?

    “You always have to pre game it a bit”

    What will everyone be wearing?

    “Leather”

    Zack Bernz billed on The Viper Room marquee
    Top billing on The Viper Room marquee, Sunset Strip. Photo courtesy of Zack Bernz

    If you ran Fashion Week for one night, what would you change?

    “Bigger after parties”

    The golden apple

    Zack is passing the golden apple to @liamdelvingallagher.

    Request Coverage: editor@nightlifereport.app

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  • “Everyone Will Be Wearing My Brand”: Eternalbeen Takes the Hot Seat and Calls Out Fashion’s Connections Game

    “Everyone Will Be Wearing My Brand”: Eternalbeen Takes the Hot Seat and Calls Out Fashion’s Connections Game

    NR Hot Seat

    The LA designer behind Eternalbeen, fresh off a Bureau LAFW runway, says fashion now runs on “connections, money and influence,” wants independent designers to get the same spotlight as the luxury houses, and is passing the golden apple to three LAFW names.

    By Anthony Perlas · Nightlife Report · Thu Oct 22, 2026

    Eternalbeen yellow hooded look on the Bureau LA Fashion Week runway
    Head-to-toe yellow under the Eternal Been sign at Bureau Los Angeles Fashion Week, October 2026. Photo courtesy of Eternalbeen

    The week the fashion internet argued about who gets cast at Victoria’s Secret (Fashion Times), an LA independent designer sent in an answer.

    Eternalbeen (@eternalbeen) showed at Bureau Los Angeles Fashion Week. The segment we covered had open-net tops, cargo trousers, orange sets with black harness straps and corset belts, knit balaclavas and patchwork denim (Nightlife Report). Eternalbeen took Nightlife Report’s Hot Seat this week. The answers are below, exactly as submitted.

    Most overrated right now?

    Copy and paste streetwear

    Unpopular opinion?

    Fashion lacks creativity, now it’s about who has connections, money and influence to convince people about what’s fashionable

    Eternalbeen look with pink balaclava and light blue jacket
    A pink balaclava and a pale blue jacket: the Eternalbeen look that refuses to blend in. Photo courtesy of Eternalbeen

    One rule worth breaking?

    All of them, I don’t follow trends! I’m a trend setter

    What does LA get wrong?

    They think looking expensive is considered fashion and having style

    Confession?

    I’m not here to fit in ,I’m here to make everyone question what I do,I like to be the odd designer

    Eternalbeen tie-dye hooded set on the runway
    Tie-dye from hood to hem, Bureau Los Angeles Fashion Week. Photo courtesy of Eternalbeen

    What will everyone be wearing?

    Everyone will be wearing my brand Eternalbeen

    If you ran Fashion Week for one night, what would you change?

    Model sizes” “If I ran Fashion Week for one night, the first thing I would change is giving independent designers the same spotlight as the big luxury houses. Talent shouldn’t need a famous name or industry connections to be seen. Let the creativity speak. The future of fashion deserves new faces, new visions, and new voices. — ETERNAL BEEN 🖤🔥”

    Oversized mint open-net top over a white shirt with tan wide cargo trousers, Eternal Been at The Bureau Fashion Week LA, The Finale
    An oversized mint open-net top over tan wide cargo trousers, Eternal Been at The Finale, Bureau Los Angeles Fashion Week. Photo: Anthony Perlas / Nightlife Report

    The golden apple

    Eternalbeen is passing the golden apple to @bametcalf1, @julia_kolesnikova_psy and @_whitneyj_. The reason given: “They was apart of LAFW”

    Request Coverage: editor@nightlifereport.app

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  • Venus Games First Runner-Up Emily Sophie Christine Was Never Meant to Fit Someone Else’s Frame

    Venus Games First Runner-Up Emily Sophie Christine Was Never Meant to Fit Someone Else’s Frame

    Exclusive Interview · Venus Games First Runner-Up

    Model and actor Emily Sophie Christine walked The Bureau’s LA Fashion Week for Sewreffic and Hey Sis! I Got You!, and finished first runner-up at the Venus Games. She tells Nightlife Report about growing up as the outsider, why modeling gave her her truest friendships, and a next chapter that includes law.

    By Anthony Perlas. Wed Oct 21, 2026. Interview by written questionnaire; her answers are quoted as submitted. Photos of Christine courtesy of Emily Sophie Christine.

    The Bureau Fashion Week LA · Oct. 16–17, 2026

    Venus Games Results

    Nightlife Report Venus Games scoring; The Bureau announced no official winners.

    Ava Kortman on the runway, hair up, looking straight ahead

    Winner

    Ava Kortman

    @avakortman

    16 pts

    Photo via @avakortman Instagram; Li Shen S/S27, NYFW

    Emily Sophie Christine smiling backstage at The Bureau Fashion Week LA in a pink striped robe

    First Runner-Up

    Emily Sophie Christine

    @emilysophiechristine

    12 pts

    Photo courtesy of Emily Sophie Christine

    Kyla Dodds smiling over her shoulder in a red dress

    Second Runner-Up

    Kyla Dodds

    @kyla.doddsss

    10 pts

    Photo via @kyla.doddsss Instagram

    Points are placement points from our published board: Final Results: Bureau LAFW Oct 2026. Ava Kortman walked for Krown Kink by Casey Lee Parker, Christine for Sewreffic, and Kyla Dodds for Krissy King (her Finale story). How the scoring works: the Venus Games rules.

    Same city, same weekend. Sunday night, Oct. 18, the fashion internet turned toward Culver City, where Victoria’s Secret staged its show (Vogue). Two nights earlier and a few miles north, the lights at The Lot Studios had come up on The Bureau Fashion Week’s Opening, and Christine walked Look 11 for Sewreffic. By the time our board locked on Saturday night, she was first runner-up. One runway got the headlines. This is the story of the other one, in her words.

    Also from the Bureau: Sophie Rann, who walked for Krissy King, in her own words →

    LOS ANGELES — In the frame she sent us, fashion week is a blur behind her. A photographer is mid-shot, a crew member is crossing with a bag, and a yellow handrail cuts through the background. Emily Sophie Christine is the only still thing in the picture. She stands in a pink stripe robe tied at the waist, both hands set on her hips, platinum waves over one shoulder, her eyes fixed on something just past the lens. She isn’t asking the camera for anything. She’s letting it catch up.

    That stillness is the first thing you notice about her work, and the questionnaire she returned to Nightlife Report explains where it comes from. Christine (@emilysophiechristine), a model and actor, walked The Bureau Fashion Week’s October season of Los Angeles Fashion Week. Asked to describe herself in two sentences she’d want quoted, she skipped the résumé and reached for a monument:

    “I see myself as an ancient Egyptian pyramid: something people are drawn to admire from the outside, yet few ever truly understand what lies within. Like these monuments that have stood for thousands of years through the harshest elements of time, I carry a depth of history, resilience, and untold stories beneath my surface and somehow, I continue to stand as though the storms never came.”

    — Emily Sophie Christine, in a Nightlife Report questionnaire

    The outsider’s language

    The best model interviews find the feeling under the career. For Christine, there was no single moment when she was discovered. She describes something slower and harder:

    “I don’t think there was ever one particular moment that made me choose this path; I think it was a lifetime of feeling like the outsider in every room I entered. I spent so much of my life searching for a place where I belonged that eventually, I began creating one through the very thing that made me feel different. Modeling and acting became more than a career to me; they became a language for everything I never knew how to say, a way to give a face to the parts of myself the world had never taken the time to understand. Perhaps I was never meant to fit into a frame someone else had created for me. Perhaps I was meant to stand in front of the camera and tell stories that remind other people what it feels like to be misunderstood, to be different, and still to be worthy of being seen.”

    — Emily Sophie Christine

    Read that again with the photographs in mind. “A language for everything I never knew how to say” is as good a description of runway craft as you’ll find. The walk, the set of the jaw and the held gaze are the vocabulary. The story is hers.

    Three moments, one weekend

    The Bureau Fashion Week produces Los Angeles Fashion Week twice a year, in March and October. This October it ran five runway shows across Friday and Saturday, Oct. 16–17, in West Hollywood, with designers from around the world on the bill (official schedule). Christine’s weekend touched three corners of it:

    • Friday, The Opening: she walked for Sewreffic, as covered in our Sewreffic looks and credits.
    • Saturday evening: she walked Hey Sis! I Got You!, part of the 5:30 PM show on the Bureau schedule. On her Instagram, her HSIGY carousel tags @officialheysisigotyou, @thebureaufashionweek and @lafw. It credits hair to @stylezzby_risss, makeup to @soleabydarlyn and shots to @adamlupix.
    • Backstage: on her Instagram, a video she titled “Backstage Shenanigans at LAFW” tags @thebureaufashionweek and @krissykingthelabel, with makeup again by @soleabydarlyn and video by @hellogorgeous.yh.
    Emily Sophie Christine walking the Hey Sis! I Got You! runway at The Bureau Fashion Week LA in a metallic slip dress and sheer duster, black and white
    Photo courtesy of Emily Sophie Christine

    The Hey Sis! I Got You! frame is the one to study. It’s shot in black and white with the brand’s rose glowing on the LED wall behind her. Christine comes down the runway in a liquid metallic slip and a sheer duster that trails behind her. Her chin is level, her eyes are locked down the runway, and her hands are loose. The front row lines both sides of the runway, and she doesn’t look at any of it.

    On camera: the gaze

    Put her backstage frames side by side and you see the range. In one, she’s squared to the lens with her hands on her hips and her gaze cool and off-axis: the face she brings to the runway. In another, in the same robe against the same concrete wall, she’s caught mid-laugh, eyes creased, the composure gone for a second. In a third, behind the scenes, she stands dead center in a pair of pink and yellow feathered wings almost as wide as the frame. The room is moving around her, and she doesn’t move at all.

    Emily Sophie Christine behind the scenes at The Bureau Fashion Week LA in pink and yellow feathered wings
    Photo courtesy of Emily Sophie Christine

    That is the craft she’s describing: giving a face to something inside. The great runway models have long talked about the walk as a kind of acting. Christine does both for real, and it shows. The look is a performance, but the person behind it is never hidden for long.

    Away from the runway

    Asked for her Bureau Fashion Week moment, on or off the runway, Christine picked the part no camera caught:

    “Some of my favorite moments happened away from the runway, particularly the unexpected connection made over dinner in Los Angeles … I think there is something beautiful about meeting someone as a stranger and discovering, over a conversation, that there is an entire world behind the person sitting across from you. In an industry where so much is carefully curated, I find the unplanned moments the most revealing.”

    — Emily Sophie Christine

    What people get wrong

    This is the answer that should travel. Asked what people misunderstand about her or her industry, Christine took on the oldest stereotype in fashion:

    “I think people often mistake an industry built around appearance for one built around vanity. Whenever I tell people I model and act, they assume it must be an emotionally draining environment filled with self-centered people, when my experience has often been the opposite. I’ve found that when you surround yourself with people who are comfortable in their own individuality, there is less of a need to diminish anyone else’s. My most genuine friendships have come from modeling, because there is something uniquely beautiful about being surrounded by people who each have the courage to be seen, yet can still appreciate that same light in someone else. I think people underestimate how much confidence can create community rather than competition.”

    — Emily Sophie Christine

    What’s next: law, film and the unexpected

    Christine isn’t pretending to have a five-year plan, and she doesn’t want one:

    “I don’t know exactly what I’m building next, and I think there is something liberating about that. I know I am pursuing law, continue working in film and modeling, and creating a life that reflects the full depth of who I am. Beyond that, I’m leaving room for the unexpected—for the places I’ll go, the people I’ll meet, and the kind of love that might find me when I’m busy becoming myself. I don’t need to know how the entire story ends because I know the director; He has it written, and I have to act it out.”

    — Emily Sophie Christine

    Law, film and modeling, all at once, and room left over for what she can’t predict. Hers is a bigger story than most fashion week profiles get to tell.

    In her own words / coming next

    Everything Christine says in this story comes from her written questionnaire, quoted as submitted. The dinner answer was trimmed only where marked (…). Details about her shows come from our own Sewreffic coverage, the Bureau’s published schedule and, where stated, her Instagram. We’d like to continue the conversation: about her walk and how she prepares, about where the film work is heading, and about what pursuing law looks like alongside the runway. Follow her at @emilysophiechristine.

    Gallery

    Emily Sophie Christine backstage at The Bureau Fashion Week LA in a pink striped robe, hands on hips, looking past the cameraEmily Sophie Christine smiling backstage at The Bureau Fashion Week LA in a pink striped robeEmily Sophie Christine behind the scenes at The Bureau Fashion Week LA in pink and yellow feathered wingsEmily Sophie Christine walking the Hey Sis! I Got You! runway at The Bureau Fashion Week LA in a metallic slip dress and sheer duster, black and white

    Photos courtesy of Emily Sophie Christine. Instagram post details are attributed to her Instagram, @emilysophiechristine.

    nightlifereport.app | Tips: editor@nightlifereport.app | 1049 Havenhurst Dr, Unit 67, West Hollywood, CA 90046

  • Sophie Rann Walked for Krissy King at The Bureau. She Wants You to Know Modeling Was Never Just About Looks.

    Sophie Rann Walked for Krissy King at The Bureau. She Wants You to Know Modeling Was Never Just About Looks.

    Exclusive Interview · The Bureau Fashion Week

    From New York Fashion Week to Paris, by her own account, and down The Bureau’s runway for Krissy King: model Sophie Rann tells Nightlife Report why nothing matches the moment you step out, what people get wrong about the job, and the side of modeling she wants to show next.

    By Anthony Perlas. Wed Oct 21, 2026. Interview by written questionnaire; her answers are quoted exactly as submitted. Instagram images via @sophie.rann.

    LOS ANGELES — Ask Sophie Rann about the runway and she doesn’t start with the clothes. She starts with the room: the music, the crowd, the lights, and the second the floor opens up in front of her. She has chased that second a long way. By her own account, her runway path runs from New York Fashion Week to Paris Fashion Week, and at The Bureau Fashion Week it brought her down the runway for Krissy King.

    Rann (@sophie.rann on Instagram, @sophkate00 on TikTok) answered Nightlife Report’s questionnaire this week. Asked to introduce herself in two sentences she’d want quoted, she called herself a model who loves everything about the fashion world, especially the feeling of being on the runway, and then gave the rest of the answer to the work:

    “From New York Fashion Week to Paris Fashion Week, every experience has made me fall more in love with modeling, meet incredible people, and realize how much I want to keep pushing myself in this industry.”

    — Sophie Rann, in a Nightlife Report questionnaire

    The Bureau, and Krissy King

    Every model has a show she replays. For Rann, it’s The Bureau Fashion Week, and the energy she describes is the thing the audience only sees from the outside:

    Krissy King is the swim label that closed The Bureau’s sold-out Finale in Los Angeles this October, and King is also a co-founder of The Bureau Fashion Week. Rann singled the show out:

    “Walking for Krissy King was especially memorable, and it’s an experience that reminds me why I love modeling.”

    — Sophie Rann, in a Nightlife Report questionnaire

    Sophie Rann on the runway in black and white, looking back over her shoulder in a monogram cape
    Sophie Rann on the runway, from her Instagram, February 2026. Instagram image via @sophie.rann

    What stays with her once the lights go down is the people. Backstage at a fashion week is crowded and fast, and Rann talks about it the way working models do, as the part of the job that makes the rest of it worth it:

    “Beyond the runway, one of my favorite parts is the community backstage. I’ve met so many amazing models, and I love how people from different backgrounds come together through a shared love for fashion.”

    — Sophie Rann, in a Nightlife Report questionnaire

    Sophie Rann on The Bureau Fashion Week red carpet in white feather wings, in front of The Bureau backdrop
    Sophie Rann on The Bureau’s red carpet, October 2026. Photos: @idancco and @amtrtoo

    More than standing in front of a camera

    There was no single discovery moment in her answer. What changed was how she understood the job:

    “I realized fashion was my path when I saw how much more modeling could be than just standing in front of a camera or walking a runway. It became a way for me to express myself, challenge myself, and be part of something creative that constantly pushes me outside my comfort zone.”

    — Sophie Rann, in a Nightlife Report questionnaire

    What people get wrong

    Asked what outsiders misunderstand about her industry, she went straight at the oldest assumption in fashion:

    “People sometimes assume modeling is all about looks, but there’s so much more that goes into it. It takes confidence, discipline, resilience, and the ability to keep showing up as yourself in an industry that constantly challenges you.”

    — Sophie Rann, in a Nightlife Report questionnaire

    What’s next: the real side of modeling

    Asked what readers should follow or buy, she pointed to the work itself, and to a window into the job she wants to open:

    “I’m focused on continuing to grow as a model, taking on new opportunities, and seeing how far I can take my career in fashion. I want to share more of the real side of modeling, from castings and runway experiences to the behind-the-scenes moments people don’t always get to see.”

    — Sophie Rann, in a Nightlife Report questionnaire

    Follow her on Instagram at @sophie.rann and on TikTok at @sophkate00.

    Venus Games results: Rann’s fellow Bureau model Emily Sophie Christine finished first runner-up on Nightlife Report’s Venus Games board for The Bureau Fashion Week LA, behind winner Ava Kortman, with Kyla Dodds second runner-up. Nightlife Report scoring; The Bureau announced no official winners. Read Emily Sophie Christine’s interview and the podium →

    The record

    • Every quote in this story comes from Sophie Rann’s written questionnaire and is reproduced exactly as submitted. She signed our release.
    • Her runway history beyond The Bureau (New York and Paris) is as she describes it.
    • The Bureau Fashion Week LA: Oct. 16–17, 2026, The Lot Studios, West Hollywood (official schedule).
    • Disclosure: Krissy King (@krissykingthelabel) is also a co-founder of The Bureau Fashion Week.
    • Instagram images via @sophie.rann. Red carpet photo: @idancco and @amtrtoo.

    Corrections and tips: editor@nightlifereport.app.

    nightlifereport.app | Tips: editor@nightlifereport.app | 1049 Havenhurst Dr, Unit 67, West Hollywood, CA 90046

  • Runway Now, Producer Next: Nicole Anne Williams’s Plan

    Runway Now, Producer Next: Nicole Anne Williams’s Plan

    Exclusive Interview · Bureau Fashion Week

    Model Nicole Anne Williams, back for a second Bureau Fashion Week, tells Nightlife Report about a childhood dream, the discipline behind the glamour, and a plan to go from walking the show to producing it.

    By Anthony Perlas. Tue Oct 20, 2026. Interview by written questionnaire; answers are quoted as submitted (emoji omitted).

    Nicole Anne Williams on the runway in a white gown in front of the Toshimi Pacumbala backdrop
    Photo courtesy of Nicole Anne Williams (no photographer credit was submitted)

    LOS ANGELES — For Nicole Anne Williams (@nicolewilliams919), The Bureau Fashion Week wasn’t a debut. It was a return. The model says this season was a second time walking for The Bureau, and the plan doesn’t stop at the end of the runway.

    In a written questionnaire, Williams introduced herself in the two sentences Williams wanted quoted:

    “I’m a model with a passion for fashion, travel, and discovering new places around the world. Living life with confidence, embracing new adventures, and creating unforgettable memories along the way.”

    — Nicole Anne Williams, in a Nightlife Report questionnaire

    A childhood dream, made deliberate

    Asked what moment set the path, Williams went back to the beginning:

    “Since I was a little girl, becoming a model has always been my dream. It was never just about being in front of the camera; it was about expressing myself, building confidence, and inspiring others through my journey. As I grew older, I realized this dream was something I wanted to turn into reality, and I decided to pursue it with passion, dedication, and purpose.”

    — Nicole Anne Williams

    Nicole Anne Williams on the runway in a red gown
    Photo courtesy of Nicole Anne Williams (no photographer credit was submitted)

    Round two at The Bureau

    One of the runway photos Williams submitted shows the Toshimi Pacumbala backdrop. (Our coverage of that collection: the Toshimi Pacumbala gallery and looks and credits.) For Williams, the week was as much about the people as the walk:

    “From runway walks to real connections! My second time walking for The Bureau Fashion Week, and I’m falling even more in love with this journey. Every runway tells a story, every connection opens a door, and every step brings me closer to the dream. The best part? The fashion, the friendships, and the future I’m walking toward!”

    — Nicole Anne Williams

    What people miss

    Williams said the public sees the finished walk, not the work:

    “They see the glitz, the glam, and the runway walk—but not the discipline, hard work, and diet behind the scenes. Beauty may catch the eye, but dedication keeps us in the game!”

    — Nicole Anne Williams

    Nicole Anne Williams on the red carpet at the Los Angeles Fashion Week, The Bureau step and repeat
    Photo courtesy of Nicole Anne Williams (no photographer credit was submitted)

    Next: from the runway to the production

    Williams is modeling while studying, and the long game is to run the show:

    “I’m walking the runway while working toward my bachelor’s degree, because beauty and brains belong together! My goal is to keep learning, growing, and one day go from walking the runway to producing the show. Why just be part of the vision when I can create it?”

    — Nicole Anne Williams

    Follow Williams on Instagram at @nicolewilliams919.

    More from our Bureau Fashion Week interview series: Sofhia Flores and Mirka Howard.

    Discuss this on the forum

    Runway to producer: should models get a real path into running the shows they walk in? Discuss this on the forum.

    Want every frame? Full galleries starting at $7/month at patreon.com/aperlas. Walked The Bureau and want to be interviewed? Email editor@nightlifereport.app.

    Nightlife Report is watching. Seen something? Send us a tip, especially if you’re drunk.

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  • From Nueva Ecija to Four Fashion Capitals, Sofhia Flores Credits ‘One Person Believing in You’

    From Nueva Ecija to Four Fashion Capitals, Sofhia Flores Credits ‘One Person Believing in You’

    Exclusive Interview · Bureau Fashion Week

    Filipino model and content creator Sofhia Flores tells Nightlife Report how one designer changed everything, what Bureau Fashion Week really meant, and what the industry gets wrong.

    By Anthony Perlas. Tue Oct 20, 2026. Interview by written questionnaire; answers are quoted as submitted.

    Sofhia Flores on the runway in front of the Toshimi Pacumbala backdrop
    Photo courtesy of Sofhia Flores; photographer credit as submitted: @adamlupix

    LOS ANGELES — Sofhia Flores came to Los Angeles with a résumé most models spend a career chasing. The Filipino model and content creator from San Isidro, Nueva Ecija, says the road has run through the runways of New York, Milan, Paris and now Los Angeles, and that it all started with a single designer.

    In a written questionnaire, Flores introduced herself in the two sentences she wanted quoted:

    “I’m Sofhia Flores, a Filipino model and content creator from San Isidro, Nueva Ecija, proud of my roots and passionate about using fashion and my platform to inspire others. From chasing a childhood dream to walking the runways of New York, Milan, Paris and now Los Angeles, I hope to represent my Filipino heritage with pride while encouraging others to believe in themselves and pursue their dreams.”

    — Sofhia Flores, in a Nightlife Report questionnaire

    The week runway fame got argued about

    Flores’ story lands in a week when the industry is arguing over who gets the spotlight. At Victoria’s Secret’s Oct. 18 show in Los Angeles, the $50 million Fantasy Bra went to Kylie Jenner, a first-time show model, and USA Today reports that fans weren’t thrilled the piece historically worn by longtime Angels went to Jenner. On Wall Street the show played as a win: MediaPost, citing Barron’s, reports the stock rose about 4% after the event, with Barclays analysts calling it proof the brand is “returning to the core heritage.”

    Nothing in Flores’ answers ties her to that show. But those answers speak to the same argument from the other end of the business, where a career can start with one designer instead of a follower count.

    The discovery

    Asked what moment set the path, Flores pointed to one designer:

    “Modeling has always been my passion and my dream growing up. Everything began when a designer discovered me and gave me the opportunity to walk for her, and from that moment on, the rest is history. That opportunity opened the door to a journey I had dreamed of since childhood, and it continues to remind me that sometimes all it takes is one person believing in you to change your life.”

    — Sofhia Flores

    Sofhia Flores on the runway in front of the Toshimi Pacumbala backdrop
    Photo courtesy of Sofhia Flores; photographer credit as submitted: @adamlupix

    Bureau Fashion Week, beyond the runway

    Runway photos Flores submitted to Nightlife Report show the Toshimi Pacumbala backdrop. (Our coverage of that collection: the Toshimi Pacumbala gallery and looks and credits.) Flores called The Bureau one of the best production experiences Flores has had, and said the people made it:

    “Bureau Fashion Week was one of the best production experiences I’ve had! Beyond the runway, what made it truly special was reconnecting with my model friends, meeting new people, and building meaningful connections with other creatives in the industry. The entire experience reminded me that fashion week is not just about the shows, but also about the community, the relationships, and the memories we create along the way.”

    — Sofhia Flores

    Sofhia Flores on the runway
    Photo courtesy of Sofhia Flores; photographer credit as submitted: @adamlupix

    What the industry gets wrong

    Flores pushed back on the idea that modeling and influencing are only the glamorous part people see:

    “I think people sometimes see the glamorous side of modeling and influencing without realizing how much work, discipline, and resilience happen behind the scenes. There’s so much more to this industry than photos and appearances, it takes confidence, patience, rejection, and the courage to keep showing up even when things don’t go as planned. I’ve learned that true success is not just about how you look but also about who you are and how you make others feel.”

    — Sofhia Flores

    Sofhia Flores in a gown against a brick wall
    Photo courtesy of Sofhia Flores; photographer credit as submitted: @adamlupix

    What’s next

    Flores said the goal is the same one that started it all:

    “I’m working toward the dream I’ve had since I was a little girl and I’m excited to see how far I can take it. I want to keep growing as a model, travel to new places, work with amazing designers, and share more of my journey with the people who have been supporting me. Being able to walk at New York, Milan and Paris Fashion Week is something younger me would have never imagined happening, and I want to keep making her proud.”

    — Sofhia Flores

    “I also hope to use my platform to inspire other girls, especially Filipinas, to believe in themselves and go after what they want, even when the journey isn’t always easy. You can follow along with me on Instagram at @sofhiafloress!”

    — Sofhia Flores

    Sofhia Flores seated in a gown against a dark curtain
    Photo courtesy of Sofhia Flores; photographer credit as submitted: @adamlupix

    More from our Bureau Fashion Week interview series: Mirka Howard on her first LA walk.

    Discuss this on the forum

    Does one person believing in you really change a career, or does the industry still make models wait to be discovered? Discuss this on the forum.

    Want every frame? Full galleries starting at $7/month at patreon.com/aperlas. Walked The Bureau and want to be interviewed? Email editor@nightlifereport.app.

    Nightlife Report is watching. Seen something? Send us a tip, especially if you’re drunk.

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  • The Night Before Victoria’s Secret Put 16 Moms on Its Runway, Mirka Howard Made Her LA Debut

    The Night Before Victoria’s Secret Put 16 Moms on Its Runway, Mirka Howard Made Her LA Debut

    Interview · Bureau Fashion Week LA

    VS got the headlines for its 16 runway moms. The night before, Mrs. Universe San Marino Mirka Howard, whose kids are in Milan, walked her first LA runway in West Hollywood. What the moms story leaves out.

    By Anthony Perlas. Tue Oct 20, 2026. Interview by written questionnaire; her answers are quoted as submitted.

    Mirka Howard (@mirhoward28) walks Justin Zachary Look 13, a blush floral-embroidered gown with a ruffled shoulder, at The Bureau Fashion Week LA, Day 2, The Finale, Sat Oct 17, 2026 (frame P1000966). Photo: Anthony Perlas / nightlifereport.app
    Mirka Howard (@mirhoward28) in Justin Zachary, Look 13, The Bureau Fashion Week LA, Day 2: The Finale, Sat Oct 17, 2026. Photo: Anthony Perlas / nightlifereport.app

    Sunday night in Los Angeles, Victoria’s Secret sent 16 mothers down its runway, by Harper’s Bazaar’s count, and People named Barbara Palvin, back six weeks after giving birth, its “Best Postpartum Return.” The internet called it progress.

    Saturday night, about 24 hours earlier and with no broadcast and no $50 million bra, a different mom walked a different runway. Mirka Howard, a mother of three, walked the Justin Zachary finale at The Bureau Fashion Week in West Hollywood. It was her first runway in Los Angeles. Not her first runway. Her first one here.

    Howard (@mirhoward28) usually works the other side of the Atlantic. “I usually walk in Milan and Paris…so this is my first walk in LA,” she told us in a DM. Her kids are in Milan, so, in her words, “I fly back and forth there.”

    Asked to describe herself in a line she’d want quoted, she wrote: “Pageant queen,red carpet star and International model”. She also says she is Mrs Universe 2025 representing San Marino. (That’s the San Marino national title, in her words; this isn’t a claim to the global crown.) Nightlife Report caught her from the media pit in Look 13, and then we asked her the questions the industry usually doesn’t.

    Mothers don’t walk runways? Tell that to Look 13

    Saturday, Oct. 17, The Finale, 8:30 PM show. Justin Zachary sent Look 13 down the runway at 9:34 PM by our camera clock: a blush gown with a sculpted ruffle at one shoulder and pink floral embroidery running from bodice to train. Mirka Howard walked it like a veteran, which, going by her Milan and Paris résumé, she is, just not in this zip code. Full set in our Justin Zachary gallery.

    Here’s the debate. Modeling has long treated motherhood as an exit, not a chapter. The industry built its machinery on discovering faces early and replacing them fast; our Eileen Ford series digs into how the agency business learned to sell a face as a product. In that system a model with three kids, a pageant crown with a Mrs. in front of it and a commute that crosses an ocean reads as the exception. Why?

    Mirka Howard (@mirhoward28) walks Justin Zachary Look 13, a blush floral-embroidered gown with a ruffled shoulder, at The Bureau Fashion Week LA, Day 2, The Finale, Sat Oct 17, 2026 (frame P1000962). Photo: Anthony Perlas / nightlifereport.app
    Mirka Howard (@mirhoward28) in Justin Zachary, Look 13, The Bureau Fashion Week LA, Day 2: The Finale, Sat Oct 17, 2026. Photo: Anthony Perlas / nightlifereport.app

    Pageant culture made room for this a long time ago: the Mrs. circuit gives married women their own stage. Runways, especially the big-budget ones, are still catching up. So when a titleholder who says her kids are in Milan books a West Hollywood finale, is that a novelty, or is it the market finally noticing who actually buys the dress?

    The ‘it’s only glamour’ myth

    We asked what people get wrong about her or her industry. Her answer is the closest thing to a mission statement we got all week:

    “People often assume that fashion is only about glamour, appearances, and walking the runway. In reality, the industry requires discipline, resilience, preparation, and a great deal of teamwork. Every polished moment on the runway is supported by designers, stylists, makeup artists, photographers, producers, models, and countless others working behind the scenes.”

    — Mirka Howard, in her Nightlife Report questionnaire

    Hold that up against the parenting part and it gets sharper. Discipline and preparation aren’t abstractions when the work is in one country and the family is in another. Anyone running a schedule between Milan and Los Angeles is doing logistics most office jobs never ask for, and the industry rarely budgets for any of it.

    Mirka Howard (@mirhoward28) on the Justin Zachary runway in the blush floral-embroidered gown, Bureau Fashion Week LA 2026. Photo courtesy of Mirka Howard.
    Mirka Howard on the Bureau Fashion Week runway. Photo courtesy of Mirka Howard

    Milan, Paris, New York, West Hollywood

    Milan versus LA is its own argument. Milan sells heritage and the house; LA’s independent runways sell access, energy and the room. The Bureau has been running both coasts, and Mirka Howard’s Bureau story starts in Manhattan:

    “One of my most unforgettable moments at The Bureau Fashion Week was stepping onto the runway in New York during NYFW SS27 and feeling the energy, creativity, and passion that brought everyone together. Walking alongside such talented designers and models reminded me why I love this industry so much.”

    — Mirka Howard

    New York, then West Hollywood, her first LA walk. She also told us she walked looks for Grace Huxley and Kenneth Barlis at Friday night’s show, which we didn’t shoot. If you did, send them our way. What stuck with her wasn’t the walk itself:

    “For me, The Bureau was more than a fashion show. It was an opportunity to challenge myself, celebrate my journey as Mrs Universe 2025 representing San Marino, and continue building my story on the international fashion stage. It reminded me that the most beautiful moments in fashion are not only about being seen, but also about the people and experiences that stay with you long after you leave the runway.”

    — Mirka Howard

    Mirka Howard (@mirhoward28) on the runway at The Bureau Fashion Week in a mint embellished gown with a tulle overskirt. Photo courtesy of Mirka Howard.
    Mirka Howard on the Bureau Fashion Week runway. Photo courtesy of Mirka Howard (photographer watermark: @FashionPhotoSD)

    What the Victoria’s Secret fight keeps missing

    The internet spent the last 48 hours arguing about the 2026 Victoria’s Secret show: Kylie Jenner in the Fantasy Bra and the backlash that followed, whether a 70-plus-walk cast means anything, whether VS still scouts. (Our roundup: the fashion internet’s verdict.) And this year, the mothers finally got counted.

    But read the list. Angels, supermodels, household names: women who were already famous when they became mothers. The question it doesn’t answer is the one Saturday in West Hollywood raised: does a mom get booked if she isn’t already a VS legend? If the standards debate is really about who the runway is for, a woman who says she walks Milan and Paris, holds a Mrs. title and still flies home to her kids belongs in that conversation. Our position hasn’t changed since we wrote it down in Nightlife Report Standards: modeling isn’t toxic, gatekeeping is: if it looks good and you’re satisfied, do it, and don’t gatekeep what’s great.

    The Ford standard, as Eileen Otte Ford laid it out: the “tall, thin, often blond” Ford woman with “wide-set eyes and a long neck” (AP), and the blue-eyed Nordic look Vogue credits her with popularizing in the early 1960s (“They work hard, and they look more American than American girls,” she said of Swedish models). Anyone under 5 feet 7 was told to forget it: “If you’re short you’re not going to model. That’s it” (The Telegraph). The high-fashion bracket, as Robert Lacey records it in Model Woman (Vanity Fair adaptation), started at 5 feet 8, with a 32- to 33-inch bust, a 20- to 21-inch waist and 33-inch hips, because, as she explained, “photographic models must fit manufacturers’ samples.” The 34-24-34 figure is often cited for Ford models (Los Angeles Times, 2014). That’s the historical benchmark, not Nightlife Report’s standard.
    Sources: Robert Lacey, Model Woman: Eileen Ford and the Business of Beauty (2015); the New York Times and AP obituaries (2014); The Telegraph; Vogue; Los Angeles Times. Her own books: Eileen Ford’s Book of Model Beauty (1968), Secrets of the Model’s World (1970), Eileen Ford’s A More Beautiful You in 21 Days (1972) and Eileen Ford’s Beauty Now and Forever (1977).

    Mirka Howard (@mirhoward28) walks Justin Zachary Look 13, a blush floral-embroidered gown with a ruffled shoulder, at The Bureau Fashion Week LA, Day 2, The Finale, Sat Oct 17, 2026 (frame P1000967). Photo: Anthony Perlas / nightlifereport.app
    Mirka Howard (@mirhoward28) in Justin Zachary, Look 13, The Bureau Fashion Week LA, Day 2: The Finale, Sat Oct 17, 2026. Photo: Anthony Perlas / nightlifereport.app

    Why she does it

    We asked what made her decide this was her path. She didn’t say the gown:

    “I think the moment I truly realized this was my path was when I understood that fashion and pageantry were more than just beauty or wearing a beautiful gown — they were about confidence, purpose, and the power of inspiring others.”

    — Mirka Howard

    And what’s next:

    “[I] am building the next chapter of my journey at the intersection of fashion, purpose, and international representation. As Mrs Universe 2025 representing San Marino, I want to continue using fashion as a platform to inspire confidence, celebrate individuality, and connect with creative communities around the world.”

    — Mirka Howard

    She says she’s continuing to collaborate with designers, creative teams and brands whose values align with her vision. Follow her at @mirhoward28 and mirkahoward.com.

    Mirka Howard (@mirhoward28) walks Justin Zachary Look 13, a blush floral-embroidered gown with a ruffled shoulder, at The Bureau Fashion Week LA, Day 2, The Finale, Sat Oct 17, 2026 (frame P1000968). Photo: Anthony Perlas / nightlifereport.app
    Mirka Howard (@mirhoward28) in Justin Zachary, Look 13, The Bureau Fashion Week LA, Day 2: The Finale, Sat Oct 17, 2026. Photo: Anthony Perlas / nightlifereport.app

    The forum question

    Is motherhood still a career ceiling for runway models, or did the industry just never bother to book the moms? Milan versus LA, Mrs. titles versus agency boards, the VS casting fight: tell us where you land in the Nightlife Report forum thread.

    Want every frame? Full galleries starting at $7/month at patreon.com/aperlas. Walked or designed at The Bureau? Email editor@nightlifereport.app with the designer and look number to request your photos.

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    editor@nightlifereport.app